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RING AROUND THE ROSARY

THE MEMOIR OF A GIRL, A NUN, A WIFE, AND A MOTHER

An absorbing, unpredictable life story inside and outside the church.

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Grossman’s engaging debut memoir contrasts her years as a postulant nun with her later, secular life.

During her all-American upbringing in small-town Illinois, Grossman defined her life by her relationships to both the Catholic Church and the summer carnival, which serve as this well-structured memoir’s symbolic poles. As “a good girl, programmed into perfection mode,” she instinctively avoided the “sin and debauchery” that the carnival seemed to represent. Instead, she found comfort in the discipline of the church of her “grandfatherly God.” However, she became troubled by this strict division between body and spirit when she entered adulthood. As a teenager, she wore tight skirts and tried to attract male attention. She took her failure at romance as proof that she actually had a religious vocation, although friends and family tried to dissuade her. Once inside the convent, she found that the regulations were stringent: One should never criticize or question nor pursue any sort of individuality. “Convent rules whittled away my personality,” Grossman writes. She endured five years as Sister Greta before a chance viewing of the 1965 movie The Sound of Music convinced her there was life outside the church. The day she left, June 23, 1966, marks both the beginning of her new life and her book’s midpoint. The memoir’s latter half may be less compelling than the hothouse atmosphere of her Catholic formation, but its lyrical descriptions and excellent re-created dialogue, based on contemporaneous journals, enliven the story. The author caught up on everything she missed, attending feminist discussion groups, seeing risqué films—and resuming dating. Before long, she was engaged to an Alabama journalist who bought them both luxurious clothes and an extended European honeymoon. “Self-indulgence was a novelty,” she admits, but their lavish lifestyle masked fundamental incompatibility. A Chicago teaching career and single parenthood might not have been what Grossman always envisioned, but she now gracefully accepts the course her life has taken: “We were not a storybook family, but a dear family nonetheless.”

An absorbing, unpredictable life story inside and outside the church.

Pub Date: March 4, 2014

ISBN: 978-0-615-95672-5

Page Count: 322

Publisher: Gretchen Grossman

Review Posted Online: April 17, 2014

Kirkus Reviews Issue: June 1, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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