Simple and sweet.
In the dark of night, each bird plays its unique tune, and then they collaborate.
Stars twinkle above the forest green treetops, and there’s a crescent moon. “All is still and quiet. Until...” The "tawny owl’s hoot echoes through the trees." Next comes the thrush, with its cheerful song: “TUT-TUT, OH-LAY-LEEE.” The woodpecker plays a peck-and-tap rhythm, while the wood pigeon practices "its sweet coo-coo." The sleek crow clears its throat roughly, and the red-breasted (European) robin warms up its vocal cords (sadly, misspelled "chords") with a sweeter sound. The beautiful cuckoo, flying in a straight line, flaps its large wings and calls out its own name. The backgrounds of the illustrations get lighter and lighter, going from the pitch-black of night to a pale purple as sunrise nears. Far from The Big Woods, a rooster crows, and for a second the bird calls cease, and the Woods go silent. Then suddenly, the orchestra begins; that is, the birds all do their calls in unison. Was the rooster the conductor? It’s lovely music to greet the spring day, and all the forest animals do, in a bright three-page spread that concludes the book and should get listeners hooting, chirping and tweeting along with them. The story is slight but beautifully illustrated and informative as well, with realistic bird portraits and apt description of their cries.
Simple and sweet. (Picture book. 3-6)Pub Date: July 1, 2012
ISBN: 978-1-60537-113-9
Page Count: 30
Publisher: Clavis
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
