A heartfelt, accessible story of a determined warrior for her oppressed people.
A Uyghur journalist from East Turkestan recounts her family’s suffering at the hands of Chinese authorities.
In this moving, deeply personal account of a family’s collective anguish, Hoja, a reporter for Radio Free Asia, re-creates in intimate detail her life story within the tight Uyghur community and their ultimate persecution and imprisonment in “reeducation camps.” Once the thriving Uyghur capital of East Turkestan—designated by the Chinese Communist Party in the 1950s as the Xinjiang Uyghur Autonomous Region—Ürümchi was gradually inundated in the early 1990s by the majority Han Chinese. CCP authorities sought to dilute the ethnic Uyghur population and “modernize” their cultural ways, which were deemed “backward” and “uncivilized.” The Han were favored for jobs and extraction of natural resources, leaving the Uyghurs impoverished and marginalized. Hoja came from a remarkable lineage of scholars and musicians, and her own passion for dance helped propel her to prominence in both school and cultural performances. Outspoken about the repressive tactics of the Chinese government, the author landed a job producing a children’s program at Xinjiang TV when she was 22. Regarding an early program she helped create, Hoja writes, “we hadn’t put in any political content, but at that point, in the mid-1990s, even existing as a Uyghur had begun to seem political….I was determined to counteract that as much as I could, while still remaining under the radar. After all, how much trouble could a children’s program cause?” Gradually, as the author shows, the Chinese authorities began heavily censoring content related to the Uyghur experience. While visiting her estranged husband in Vienna, Hoja applied to Radio Free Asia and began working to expose the ongoing Chinese suppression of the Uyghurs from the outside. The widespread effects on her family were devastating, but we are lucky to have this important historical record of what she—and so many others—endured.
A heartfelt, accessible story of a determined warrior for her oppressed people.Pub Date: Feb. 21, 2023
ISBN: 978-0-306-82884-3
Page Count: 320
Publisher: Hachette
Review Posted Online: Nov. 21, 2022
Kirkus Reviews Issue: Dec. 15, 2022
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
An engaging, revealing look at the wild world of the Wu-Tang Clan and beyond.
A memoir from one of hip-hop’s most inventive stylists.
As a member of the Wu-Tang Clan and throughout his solo career, Dennis Coles (b. 1970), aka Ghostface Killah, has been one of the most creative rappers in the game. In this deeply personal text, the author narrates his life story through 15 of his songs. It’s a testament to the richness of his rhymes to see him communicate the same thoughts and feelings in a handful of couplets as he does in a full chapter of prose. Sure, Ghostface offers more context and details in each chapter, whether he’s writing about the struggles of his youth that inspired “All That I Got Is You” or his time selling drugs in “Poisonous Darts,” but that is also a little too straightforward for such a creative artist. Ghostface occasionally uses graphic-novel techniques to make some points, and he turns over the narrative to friends and colleagues to make others. There is no sanitizing of his history here. Ghostface is frank about his drug use, his arrests and time in jail, and his health issues—especially how his diabetes can affect his performances and creativity. He also takes time to educate people about the problems in the music industry, what Islam means to his life and his art, and the impact of slavery and racism on hip-hop and America. “My ancestors used to get whipped, and the rest of the slaves had to sit out there and watch them get whipped until they died,” he writes. “When I watched George Floyd die, it felt like that.” His expansive thoughts on any number of topics are fascinating whether you follow hip-hop or not. The book is vividly designed, featuring pull quotes, sidebars, and color photos.
An engaging, revealing look at the wild world of the Wu-Tang Clan and beyond.Pub Date: May 14, 2024
ISBN: 9781250274274
Page Count: 240
Publisher: St. Martin's
Review Posted Online: Feb. 24, 2024
Kirkus Reviews Issue: April 1, 2024
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