A fresh slice of Øyehaug's work, ideal for seekers of spry experimental short fiction.
A collection of 25 formally diverse, wide-ranging short and very short stories from the always surprising Norwegian author.
In her fourth book to be translated into English, once more by Dickson—who handles its sly, fairy-tale–infused, theory-laced trickery with aplomb—Øyehaug again displays her playfulness and attention to form, revealing the literary scaffolding and ropes that support the scenery of the often unstable narrative surface. Beginning the collection (with a truly memorable opening line) is "Birds," in which an ornithologist who has been preparing to defend her thesis loses the piece of her brain that contains all her knowledge of birds. She embarks on a quest to piece back together her ornithological expertise in time for her defense, though what she learns about who she is—or perhaps was—in the process is the more vital and wounding knowledge. In the title story, what begins as a tale about a made-up bus driver and made-up passenger progresses to the "real" story, in which the narrator has broken the sesamoid bones in their feet after, they realize, picking evil flowers ("Oh no, evil flowers, I whispered to myself as I lay there"), which they assure us are very real, though everything else is made up, and though Baudelaire's Les Fleurs du mal, from which the title is taken, were a metaphor. This leads into a description of Etienne Carjat's famous photograph of Baudelaire and an extrapolation of how Baudelaire might feel about the title of his work being appropriated for such a story. "A Bit Like This" follows, a "story" that consists only of a copy of this photograph, showing Baudelaire looking as described and seemingly displeased with the proceedings, with no caption, credit, or text of any kind. Motifs, imagery, and forms pinball throughout the rest of the collection, making a messily cohesive whole tied together by anxieties, absurdities, and death—but in a fun way.
A fresh slice of Øyehaug's work, ideal for seekers of spry experimental short fiction.Pub Date: Feb. 14, 2023
ISBN: 978-0-374-60474-5
Page Count: 128
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
SEEN & HEARD
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