A perfect Mobius strip of a novel that playfully examines the creative and destructive potential of language.
A slippery metafictional take on the peril and power of words and how identities fracture and compartmentalize across a lifetime, from one of the most exciting contemporary voices in international literature.
In another masterful translation by Dickson of Øyehaug's wily, mercurial prose, the author-translator team frolics across the multiverse to explore the rifts that open between, most especially, mothers and daughters but also spouses and ex-lovers and between self-perception and how others experience us. Laura, a 24-year-old literature teacher, is pregnant with her first child and increasingly anxious as her due date approaches: about the safety of their fire-trap flat, about fidelity (her own and her husband's), and about "a disconcerting feeling that everything is double." Anna, aged 44, mother of two children—that she knows of—is a writer working on her latest book and perennial obsession, a novel about the origins of language. Though Anna and Laura are unaware of each other’s existence, they are, in fact, mother and daughter. Twenty-two years earlier, Anna sat reading Swedish poetry while supervising 2-year-old Laura pedaling her tricycle in the front yard. When Anna misread the word “trädgård” (garden) as the nonsensical "tärdgård," it opened a parallel universe that Laura vanished into, entirely erased but for Anna's lasting sense that something important is missing, while in Laura's new universe, Anna has never existed at all. At the same time, Anna's husband, Bård, returning from a job in the upper reaches of Norway to escape his attraction to another woman, split in two—one version in each universe—as he bought a newspaper and committed the same misreading. In the present, as Laura prepares for her own daughter's birth, Anna works on her novel, her narrator simultaneously writing the story we ourselves are reading, and navigates a relationship with her teenage daughter, Elina, that seems at times hardly more bridgeable than that with her lost daughter living in an alternate universe. With wry hyperbole, Øyehaug plays out the effects one seemingly inconsequential mistake can have on our relationships, our selves, and the lives of the next generation.
A perfect Mobius strip of a novel that playfully examines the creative and destructive potential of language.Pub Date: Jan. 11, 2022
ISBN: 978-0-3742-3717-2
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 12, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.
A diverting midlife story plucks at the secrets good people carry to the grave.
As a reader, Artie Dam—the protagonist of Strout’s 11th book—encounters Olive Kitteridge, “a crotchety old woman from Maine” and Strout’s most celebrated fictional character. Artie picked up the Pulitzer-anointed book centered on Olive after his wife, Evie, loved it, “oh, years ago now.” Strout is having a bit of fun—that “oh” is a trademark—even though she marbles her latest novel with marital infidelity, political anxiety, and suicide. Indeed, it is the fact that Olive’s father died by suicide that Artie, 57 and gaining a paunch, recalls now in his own dismalness. As the story begins, he is pondering the most discreet way to die, despite having been Massachusetts’ Teacher of the Year five years earlier. Artie seems the inverse of irascible Olive: beloved by his students; by his grown son, Rob; and by the English teacher, Anne, who quietly pines for him. But like Olive, Artie has distressing impulses—he steals a comb, then some expensive shirts. Much of the text bobs along on Artie’s stocktaking memories, chunked out in short, occasionally abrupt paragraphs. Strout’s storytelling is thinning a bit, like middle-aged hair. Then, midbook, she clobbers Artie with a brutal existential shock. In its wake, Strout surfs the nature of loneliness, corrosive secrets, and the convulsions of the 2024 presidential election. Hers is an unremittingly Blue State book, although Artie has one friend who, unbeknownst to him, supported Donald Trump. On the day after the election, Artie somberly concludes that his “country was committing suicide.” This is the first novel in which Strout entirely vacates Maine for another setting. But she sticks with Artie and, on the final pages, delivers him a satisfying finale.
Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling.Pub Date: May 5, 2026
ISBN: 9798217154746
Page Count: 224
Publisher: Random House
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Come for the action, leave deeply moved by the fiercely beautiful meditations on maternal love.
How far would a mother go to save her daughter?
Simone Seaborn leaves her home in London for southwest Texas to meet her teenage daughter, Lucy, who’s spent the summer there before starting college. The two have planned a camping trip as a reunion after the longest period they’ve ever spent apart. But almost immediately, the trip seems cursed: Simone’s suitcase is lost—maybe even “on the moon,” according to an airport attendant. She and Lucy are reunited at their Airbnb stopover, only for Simone to wake in the morning and find Lucy missing. Left behind: a phone that begins to ring, “Caller Unknown.” Lucy has been kidnapped. Simone immediately snaps into action, following all the kidnapper’s instructions, including not to notify the police, a decision that her husband, Damien, strongly opposes. She travels to the meeting place only to be sent across the border to Mexico, where she must pick up a package and bring it back to Texas. Simone and Lucy are eventually reunited, but by then things have gone very wrong: Simone shoots the messenger who brings Lucy to the meetup, and then Lucy accidentally shoots an off-duty cop who’s coming to investigate the noise. On the run in the rural Texas desert, mother and daughter strike out to save each other and to clear their names. The plot is convoluted, and even a little absurd, but it keeps you guessing. What truly shines through in McAllister’s fluid prose, though, is the love. This is a novel about motherhood, and mothers and daughters, and the transition from childhood to adulthood. It’s about sacrifice and loss, but also joy, and the tenuous beauty of each moment of life. It’s about saving the day in even the direst of circumstances, and how love between a parent and child is never a loan, but exists forever—past, present, and future—even as time inevitably slips by.
Come for the action, leave deeply moved by the fiercely beautiful meditations on maternal love.Pub Date: May 5, 2026
ISBN: 9780063338470
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 12, 2026
Kirkus Reviews Issue: June 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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