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MY CENTURY

A masterly synthesis of fiction, history, and autobiography. My Century is one of Grass’s most skillfully crafted books and...

            On September 30th, Sweden’s Nobel Committee righted what many have long considered an egregious wrong by awarding its 1999 Prize for Literature to Germany’s greatest living novelist.  Grass remains most celebrated for his early masterpieces, The Tin Drum and Dog Years, but forty years’ worth of vigorous fiction, poetry, and sociopolitical commentary testify eloquently to his ongoing creative vitality, as do a highly controversial recent novel (to appear here next year as Too Far Afield) and his ingenious new fiction, My Century:  a mosaic history of modern Germany, comprising a hundred brief stories, one for each year of the present century.  Thus:  a young Bavarian soldier recounts his experiences in China during the Boxer Rebellion in 1900; a pieceworker at the Krupp munitions factory explains how a (then) ultimate weapon was named “Big Bertha” after her; a “peat cutter” forced to help build a concentration camp comments on Jesse Owens’s domination of the 1936 Berlin Olympic Games; and unnamed representative citizens offer their perspectives on such watershed events as the “economic miracle” of the late 1950s, the trial of Adolf Eichmann, and the dismantling of the Berlin Wall.  Grass varies these narrating voices, which, though engagingly differentiated, are uniformly lively and seductive.  The war years 1914-18 are discussed, in conversations held nearly a half-century afterward, by prominent German novelists Erich Maria Remarque and (the now centenarian) Ernst Juenger.  A nameless war correspondent fills in details of the period 1941-45.  And Grass himself chimes in, first in 1927 (the year of his birth), then with increasing frequency from the 1980s forward, as he wryly observes his country’s resurgent militarism, gathers material for the aforementioned Too Far Afield (which was published in1995), and, when in the 1990s geneticists begin cloning sheep, expresses his fear of a coming “fatherless society.”  And in the mischievous and dazzling final chapter (“1999”), Grass’s late mother (d.  1954) tartly laments the prospect of her now elderly son, who’s “made quite a name for himself…bringing me to life again for one of his stories.”

            A masterly synthesis of fiction, history, and autobiography.  My Century is one of Grass’s most skillfully crafted books and proof positive that the Nobel Prize – passing this year from José Saramago to Günter Grass – once again rests in good hands.

Pub Date: Dec. 1, 1999

ISBN: 0-15-100496-X

Page Count: 288

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1999

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THE MOONS OF JUPITER

In Lives of Girls and Women and The Beggar Maid (the Flo and Rose stories), Canadian short-story writer Munro drew unusual strength and sharpness from the vivid particulars of growing-up with—and growing out from—a stifling yet intense Canadian background. Here, though a few of these eleven new stories reach back to that core material effectively, the focus is looser, the specifics are less arresting, and Munro's alter-egos have moved on to a real yet not-always-compelling dilemma: over 40, long-divorced, children grown, these women waver "on the edge of caring and not caring"—about men, love, sex. In "Dulse," an editor/poet vacations alone, away from a troubled affair—and is confronted by sensuality on the one hand and the "lovely, durable shelter" of celibate retreat on the other. Two other stories feature the hurt and compromise involved in "casual" affairs—casual for the man, perhaps, less so for the woman. And in "Labor Day Dinner," the divorced woman is trying again, but with a sometimes-cruel man ("Your armpits are flabby," he says) whose love must be periodically revived by her displays of (unfeigned) indifference. Still, if these studies of to-care-or-not-to-care uneasiness lack the vigor of earlier Munro (at their weakest they're reminiscent of Alice Adams), a few other pieces are reassuringly full-blooded: "The Turkey Season," about a teenage girl who takes a part-time job as a turkey-gutter and learns some thorny first lessons about unrequited love; the title story, in which a woman's trip to the planetarium illuminates her turmoil (a dying father, a rejecting daughter) with metaphor; wonderful, resonant reminiscences about the contrasting spinsters on both sides of a family. And Munro's versatility is on display in other variations on the caring/not-caring tension—between two aging brothers, between two octogenarians in a nursing-home. Only one story here, in fact, is second-rate ("Accident," an unshapely parable of adultery, guilt, and Fate); Munro's lean, graceful narrative skills are firmly demonstrated throughout. But the special passion and unique territory of her previous collections are only intermittently evident here—making this something of a let-down for Munro admirers.

Pub Date: Feb. 1, 1982

ISBN: 0679732705

Page Count: 256

Publisher: Knopf

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Feb. 1, 1982

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THE COMPLETE STORIES

The thirty-one stories of the late Flannery O'Connor, collected for the first time. In addition to the nineteen stories gathered in her lifetime in Everything That Rises Must Converge (1965) and A Good Man is Hard to Find (1955) there are twelve previously published here and there. Flannery O'Connor's last story, "The Geranium," is a rewritten version of the first which appears here, submitted in 1947 for her master's thesis at the State University of Iowa.

Pub Date: Jan. 1, 1971

ISBN: 0374515360

Page Count: 555

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1971

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