by H. J. Förjans ‧ RELEASE DATE: Nov. 21, 2012
A planet of bumpkins declares war on the rest of the universe in this humorous sci-fi debut.
Krikkit is a bucolic world whose inhabitants are hardworking above all else. What they value most are the things they can touch and experience firsthand. When they look up in the sky, they see the sun—and not much else. A vast dust cloud obscures the rest of the cosmos, so the Krikkitans have no sense of their place in the larger scheme of things. It’s all the more shocking, then, when a spaceship crashes. Two Krikkitans named Brag and Tarm investigate the oddity, dragging it to a barn. Eventually, they get it flying and travel past the dust cloud. Upon seeing the majestic cosmos long hidden to them, they decide it shouldn’t exist, and they mobilize the rest of their people to destroy it. This endeavor involves building more spaceships and mastering weaponry. And because the Krikkitans only learn by doing, it’s a slow process. Still, they succeed in their epic quest by blowing up some planets and battling various races—including, by all appearances, humanity. But with Krikkit’s own natural resources limited, how much of the universe can their war machine destroy? Debut author Forjans offers a hilarious premise that wouldn’t be out of place in a Monty Python film. His narrative quickly proceeds with bone-dry wit and, in discussing the known universe, reveals that many civilizations “are so advanced that their primary function has evolved into having...a wonderful time whilst drinking perfectly chilled imported beer.” Adding to the tone is angular prose that alternates between charming and all-too goofy; for example, “Brag had, as no one else on Krikkit, not ever seen anything like the thing he now saw.” These highlights, unfortunately, are steadily brought low by Forjans’ pedantic plotting and argumentative, one-note characters. Frequently sloppy grammar doesn’t help, either: “Brag and Tarm was pleased with the result.” Tighter editing and defter storytelling may help a sequel.
An overdose of silliness for its own sake.
Pub Date: Nov. 21, 2012
ISBN: 978-1477246313
Page Count: 232
Publisher: AuthorHouseUK
Review Posted Online: Sept. 30, 2014
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Pierce Brown ‧ RELEASE DATE: Feb. 9, 2016
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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