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GREAT FEUDS IN MEDICINE

TEN OF THE LIVELIEST DISPUTES EVER

A simple but solid introduction to the history of medicine.

Science writer Hellman (Beyond Your Senses, 1997) chronicles ten important medical advances with emphasis on the struggle and bitterness that accompanied each.

Beginning in the 17th century with William Harvey’s frustrating effort to persuade his colleagues that blood circulates, the narrative closes in the 1980s, relating the scandalous dispute between Robert Gallo and Luc Montagnier over who discovered the AIDS virus. Only one chapter concerns a genuine scientific feud (the lifetime quarrel between Jonas Salk and Albert Sabin over the superiority of injectable versus oral polio vaccine); the others recount the noisy contention that accompanies a controversial new idea. All these ideas eventually triumphed, but the speed of their victory depended less on evidence than the personality of the scientist who discovered them. Pugnacious Louis Pasteur loved a fight and generally won by a knockout. Freud never convinced his enemies in the medical profession, who are still denouncing him; his triumph lay in convincing everyone else who mattered, so much so that Freudian analysis became an icon for 20th-century intellectuals. Hellman’s rather schematic history revels in heroes and villains, and he occasionally falls into the trap of portraying historical figures who were wrong as stupider or more narrow-minded than those who were right, so sophisticated readers should look elsewhere. Yet the author avoids most clichés of popular science writing and has clearly read every secondary source. He often reviews works of other historians to illustrate how opinion has changed over the years, pointing out that even Pasteur has been charged with cooking his results and that feminists accuse James Watson and Francis Crick not only of looking down their noses at Rosalind Franklin but of stealing her data to make the model of the DNA molecule that won them the Nobel Prize.

A simple but solid introduction to the history of medicine.

Pub Date: March 9, 2001

ISBN: 0-471-34757-4

Page Count: 256

Publisher: Wiley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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