This quixotic, uber-intellectual debut, laced with literary and historical references, has some comedic elements, but is,...
A dark, surreal adventure follows Myron, in the company of animal shape-shifters, as he seeks his true identity.
Myron, a ninth-grader who appears to be about 8 years old, is “short, scrawny, and hideous.” Found, apparently abandoned and terribly disfigured, and adopted five years before, he has been the victim of relentless bullying. In the wake of a mammoth fight, he finds himself effectively kidnapped by human/animal shape-shifters called lycanthropes. He quickly discovers that he, too, is a lycanthrope, but no one, not even Myron, knows his true form. In this doom-laden tale it’s impossible to tell friend from foe. As Myron stumbles from one misadventure to another and witnesses numerous deaths, he encounters the few remaining lycanthropes in existence, and the lying, scheming lot of them want to use or kill him. He’s misguided by, among others, a gorilla, spends the winter in the woods with a moose mentor and is held prisoner in the Fortress of Id. Ultimately, Myron’s charged with transporting a “doomsday device,” and his goal becomes reaching the Rosicrucians in hopes of learning his purpose and animal identity. The tale is not for the faint of heart: There are scenes of torture and a reference to sexual excitement induced by violence. Drenched in nihilism, the story’s message, as voiced by the archly intrusive narrator (and one of the lycanthropes), is, “once you remove the possibility of being a good or bad individual, life becomes a series of meaningless incidents.”
This quixotic, uber-intellectual debut, laced with literary and historical references, has some comedic elements, but is, perhaps, too smart for its own good. (Fantasy. 14 & up)Pub Date: Sept. 4, 2012
ISBN: 978-0-547-75196-2
Page Count: 304
Publisher: Clarion Books
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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