by Hans Christian Andersen & illustrated by Brian Pinkney ‧ RELEASE DATE: Sept. 1, 2003
Minor details and most of Andersen’s literary flourishes have been cut out of this shortened version, but the essential plot is intact. Grown from a magic seed, Thumbelina is repeatedly kidnapped for her beauty, escapes two forced-marriage attempts with the help of animal friends, and finally consents to wed the king of the flower people, because “he was the right husband for her.” Pinkney places his tall (about three inches—or triple her size in the original), graceful, cinnamon-skinned figure within close-up natural landscapes, vibrantly depicted in warm browns and golds with short, thick, curving brushstrokes. Though Thumbelina is not the most active or independent-minded of role models, she does have plenty of adventures, and the sense of self-possession that she radiates in every scene is never shaken by events. And even though her eye makeup looks like it was laid on with a trowel, the preciousness that tends to infect other renditions of the tale is less evident in this readable adaptation. (Picture book/fairy tale. 8-10)
Pub Date: Sept. 1, 2003
ISBN: 0-688-17476-0
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2003
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by Hans Christian Andersen ; illustrated by Bernadette Watts ; translated by Susannah Mary Paull
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by Hans Christian Andersen ; adapted by JooHee Yoon ; illustrated by JooHee Yoon
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by Laurie Keller & illustrated by Laurie Keller ‧ RELEASE DATE: Oct. 1, 1998
Imagine the states, Kansas, California, Ohio, and all the rest, as people with toothy grins, ping-pong balls for eyes, pipe cleaner limbs, and full-blown personalities. Imagine, then, that they get together at a party and decide to switch places on the map. In this amusing spoof, Kansas wakes up one morning saying, “I’m not feeling happy at all!” and starts the whole thing. Florida goes to Minnesota, California goes to Wisconsin, Nevada and Mississippi fall in love. Then the trouble starts: Alaska, who had missed company, feels claustrophobic among other states; Kansas finds his place in the middle of the ocean to be a bit too quiet; Minnesota, in Florida’s spot, forgets to pack suntan lotion; and so on. Soon the states are rushing back to their original spots with sighs of relief. Keller, in her first book pushes a silly idea, to great lengths, and will elicit laughs from all those who thought geography was boring. The states are colorful, boastful, belligerent, and charming, in collage illustrations that are full of spontaneous asides and intriguing labels. The states appear in a final gallery, with a few statistics to square off the whole funny enterprise. (Picture book. 8-10)
Pub Date: Oct. 1, 1998
ISBN: 0-8050-5802-8
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
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by Joan Holub ; illustrated by Laurie Keller
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by Laurie Keller ; illustrated by Laurie Keller
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by Joan Holub ; illustrated by Laurie Keller
by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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by Nathaniel Lachenmeyer ; illustrated by Frank W. Dormer
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by Nathaniel Lachenmeyer ; illustrated by Carlyn Beccia
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by Nathaniel Lachenmeyer & illustrated by Nicoletta Ceccoli
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