Published to coincide with the film’s 75th anniversary, this book is a gold mine for fans.
Everything you wanted to know about one of the greatest films of all time—and then some.
Orson Welles (1915-1985) could read when he was 2 and discuss politics at 3, and he wrote his first play at 9—or maybe that’s just a myth he started. But it’s widely accepted that the first film Welles co-wrote, directed, produced, and starred in is one of the truly great films. Lebo (The Godfather Legacy, 19997, etc.) agrees, and he makes a convincing case with this fascinating, in-depth story of the film’s making. Not only does he describe how the film was made, from beginning to end and afterward, but he also includes any film lover’s candy: cast and production credits, a conversation with Bernard Herrmann, who did the score, a detailed scene-by-scene guide (with running times), the film’s budget (actor Everett Sloane, who played Mr. Bernstein, received a $2,400 payment to shave his head), and more. After successes in radio and drama, the 25-year-old wunderkind was able to negotiate a contract with RKO to make two movies with the “most liberal creative terms ever granted to a director working within the confines of the traditional studio system.” Lebo skillfully sorts through the controversy of who exactly wrote the Kane screenplay. Herman J. Mankiewicz and John Houseman began work on a screenplay loosely based on the life of William Randolph Hearst. There were multiple drafts, with Welles editing each along the way. Commenting on the unconventional and difficult filming techniques used, cinematographer Gregg Toland said it “had to be done!” When film editor Robert Wise reviewed daily rushes, he felt they were on to “something very special.” Extensive quotes from many participants add a real immediacy to the story, and Lebo splendidly chronicles all the drama, infighting, ups and downs, excitement, and genius that went into creating Welles’ masterpiece.
Published to coincide with the film’s 75th anniversary, this book is a gold mine for fans.Pub Date: April 26, 2016
ISBN: 978-1-250-07753-0
Page Count: 368
Publisher: Dunne/St. Martin's
Review Posted Online: Jan. 25, 2016
Kirkus Reviews Issue: Feb. 15, 2016
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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