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EL OFICIO DE NARRAR SIN MIEDO

An often compelling survey of a uniquely demanding career and the life lived around it, with stories that readers won’t find...

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Guatemalan journalist Whitbeck recounts his family’s multigenerational history in journalism as well as travels around the world in this genre-bending Spanish-language memoir.

There are few people who can say seeing a dead body changed their lives for the better, but for the author, it was a light-bulb moment. He was barely a teenager during Guatemala’s civil war in the late 1970s, and violence was everywhere; it was on his daily commute to school, peering out at a cadaver from the bus window, that his future solidified: He was going to be a journalist. After getting his master’s degree in journalism at Columbia University, Whitbeck worked his way up from covering natural disasters in Central America to becoming one of CNN’s senior foreign correspondents. In this memoir and travelogue, he recounts some of his most memorable reporting trips during his decadeslong career, including embedding with U.S. Army soldiers in Iraq, cutting his international journalism teeth at civilian protests in Haiti, and getting to hold the same pen that Gorbachev used to sign the documents dissolving the USSR. He attributes his success to his relentlessly curious nature but admits that journalism may well be his destiny: his ancestors include Spanish conquistador and chronicler Bernal Díaz del Castillo and American journalist Leonard F. Whitbeck, who covered conflicts between American troops and Indigenous leaders Sitting Bull and Crazy Horse. Whitbeck even devotes one of the book’s best chapters, an outlier of sorts, to detailing his own father’s involvement in the brief and bloody regime of Guatemalan president Efraín Ríos Montt.

As a narrator, Whitbeck’s greatest strengths are the palpable compassion and humility with which he undertakes the task of reporting on communities in crisis and the deft connections he makes to broader themes of the human condition. The author, who considers himself an introvert and identifies as gay, offers a self-conscious peek into the often opaque world of correspondent journalism; in particular, he’s refreshingly frank about facing racism and xenophobia as a Latino and a member of the Spanish-language press and about the complex traumas of his various sources across the world. His clean prose historically contextualizes his location-based essays without ever overwhelming the reader or deferring to an American perspective. He juxtaposes moments of levity, as when he tells of procuring equine transport in Afghanistan, listening to Coldplay while on assignment, and smoking cannabis for the first time, with the descriptions of the carnage he witnesses. The book isn’t chronological, and the way that Whitbeck jumps through time to suit his philosophizing about the human experience results in occasional passages that feel muddled or disconnected. The final chapter, however, is quite sentimental, ruminating on his life after leaving CNN and how he came to understand himself better through taking psychedelics, culminating in his ultimate takeaway: that death and disaster are simply part of the cycle of life.

An often compelling survey of a uniquely demanding career and the life lived around it, with stories that readers won’t find in the news.

Pub Date: July 13, 2021

ISBN: 978-6070776540

Page Count: 264

Publisher: Planeta Publishing

Review Posted Online: Jan. 7, 2022

Kirkus Reviews Issue: March 1, 2022

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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