In his debut, Hamlin—best known for his role as Perseus in the 1981 film Clash of the Titans, as well as his stint on L.A....
A comic memoir recounting the obstacles one man endured on his quest to become an actor.
In his debut, Hamlin—best known for his role as Perseus in the 1981 film Clash of the Titans, as well as his stint on L.A. Law—depicts how his lifetime of debacles began at an early age. At four he urinated in the dog dish, and a few years later, wrote a book report on Mein Kampf, resulting in his removal from school. On Christmas Day 1962, his parents offered him less offensive reading material—a five-year subscription to Playboy—though this would have an equally disastrous result for the hormone-crazed youth. From Hamlin's first introduction to the female body, the memoir takes a turn, no longer focusing on the innocent trials of a prepubescent boy but rather on the litany of sexual escapades that followed the actor throughout his life. While the author’s tales of sexual encounters string the narrative together, his romps are not the focal point. Instead, Hamlin's history with drugs overpowers the other aspects of the story. Though he explains his run-ins with law enforcement in a comical manner, readers will recognize the seriousness of his crimes. The book is rampant with road trips, fraternity debacles and prison sentences, yet when these unoriginal tales are told with hackneyed phrases (“Bring it on, baby!”; “But that's another story”), readers may desire more substance. Nevertheless, Hamlin's story has its charms, and his unabashed honesty provides a clear view of a boy's life in the late-’60s and early-’70s. In one instance, he describes selling himself as a handyman in order to raise money for a road trip to Woodstock. “I highly recommend this strategy of creating an income when you're seventeen and know how to do absolutely nothing but sleep and whack off,” he writes, acknowledging his own low expectations for himself in a world that would one day require much from him.Pub Date: Oct. 5, 2010
ISBN: 978-1-4391-6999-5
Page Count: 240
Publisher: Scribner
Review Posted Online: July 19, 2010
Kirkus Reviews Issue: Aug. 15, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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