by Harvey Havel ‧ RELEASE DATE: N/A
An elaborate but uneven social novel about the rise and fall of an underprivileged athlete.
A good-natured black football player tries to make it in a duplicitous world.
In this novel, DeShawn Biggs is as formidable as his name suggests. At 6-feet-5-inches and 300 pounds, DeShawn seems headed for the NFL. Indeed, a football career is regarded as an inevitability for the young man in his native Albany. While most NFL–bound seniors head off to play college ball after they leave high school, DeShawn’s abysmal math grades—and the fact that his parents can literally no longer afford to feed him—result in the giant lineman attending an elite Connecticut prep school for “grade thirteen.” After an emotional farewell to his parents, who are purposefully removing themselves from his life for good—“You’ve got to use your God-given talents to make a life for yourself,” says his father, “and you cannot do that with your mother and me in the way of that life”—DeShawn is left alone among the white, wealthy student body. Sticking out like a large sore thumb, DeShawn attempts to walk the fine line between what is expected of him and what will not be tolerated. A cheating scandal gets him expelled but not before he secures a place at Montgomery Southern A&M, a football power that will set him up to advance to the NFL. DeShawn eventually gets his shot at the big leagues, but his trusting nature and penchant for making bad decisions dog him throughout his career. Each time, the stakes get higher. DeShawn has always been a pawn in a game controlled by other people, but how much of his own integrity can he compromise in order to get ahead? Havel (An Adjunct Down, 2016, etc.) writes in a simple, direct prose that deftly mimics the thoughts of his protagonist: “He couldn’t let anyone know, and if any of his teammates questioned him about liking a white woman over a black woman, he would bite his tongue and not reveal this somewhat impossible scenario—that a white woman could love him.” DeShawn’s story works in the tradition of the social novel, boldly tackling issues of racism, power structures, and the murky morality of American football. Like his near-namesake, Bigger Thomas, DeShawn is a cog in a system built to use him, not to help him. That said, Havel’s novel is far less successful than Richard Wright’s Native Son in weaving its issues into a compelling narrative. The book is almost comically overlong at nearly 900 pages, loaded with scene after scene that reiterates established information without delving deeply into the psyche of any of its characters. DeShawn’s inner workings never receive the attention that his physical size does, and no other character manages to leave a lasting impression. Odd and unnecessary narrative choices, like DeShawn’s inexplicable abandonment by his parents, erode the verisimilitude of the story. Havel’s aims are ambitious, and the issues he broaches are very real, but this book is too flat to live up to those lofty goals.
An elaborate but uneven social novel about the rise and fall of an underprivileged athlete.Pub Date: N/A
ISBN: N/A
Page Count: 887
Publisher: CreateSpace
Review Posted Online: March 27, 2019
Review Program: Kirkus Indie
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by Harvey Havel
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by Harvey Havel
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by Harvey Havel
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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