Reads more often like a lecture than a graphic novel.
This illustrated peace polemic and lesson in international relations is often educational but only occasionally engaging.
The unusual collaboration teams Roberson, formerly a peace-studies major at Berkeley, with artist Piskor and writer Pekar, who established his reputation through graphic memoir (and whose American Splendor series inspired the well-received film). More recently, Pekar has been telling stories other than his (Ego and Hubris, 2006, etc.), and here he recounts a student research trip taken by Roberson to discover how Macedonia was able to avoid the civil war and ethnic cleansing that had beset so much of what was formerly Yugoslavia. The challenge is to convey the complexities of the situation in graphic form, which amounts to large stretches of Roberson engaging in debate or explanatory dialogue. In the first part, a boyfriend seems there only to serve as a sounding board, allowing Roberson to expound on the history of the Balkans and the peacekeeping efforts in Macedonia. After Roberson decides to go on a quixotic mission to Macedonia for thesis research, the boyfriend drops out of the picture, without explanation. Her travel adventures make for livelier reading, as she becomes frustrated with men hitting on her and a hotel clerk trying to cheat her, while absorbing as much of the culture as she can, forging strong friendships and learning how Macedonia has been able to avoid the fate of its neighbors. The narrative doesn’t whitewash the situation. The Macedonians aren’t necessarily more noble than anyone else, and the ethnic tensions with Albanians threaten the same sort of strife as has torn neighboring Croatia, Bosnia and Kosovo. Yet the Macedonians have remained committed to war prevention, rather than using the threat of war as a means of sustaining peace. Though there’s a lot of personality in Piskor’s illustrations, a picture plainly isn’t worth a thousand words in this text-heavy work (that ends with an all-text epilogue, presumably written by Roberson).
Reads more often like a lecture than a graphic novel.Pub Date: June 26, 2007
ISBN: 978-0-345-49899-1
Page Count: 160
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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