A convincing, laymen-friendly reappraisal of a great musical theorist, teacher, and composer.
A new consideration of the life and work of the modernist composer endeavors to explain why his innovations in classical music are still relevant today.
In the prologue, Sachs, a music writer, Toscanini biographer, and educator at the Curtis Institute of Music, states explicitly that he aims to offer a "succinct interpretative study" of Arnold Schoenberg's life and work, not a full-scale biography or complete theoretical analysis. He includes basic biographical material such as Schoenberg's birth (1874, in Vienna), escape from Nazi Europe to America in 1933, and death in Los Angeles in 1951. Although Sachs presents a basic chronology of the composer's personal and professional life, the emphasis is on the work, specifically his invention of the 12-tone technique and resulting "serialist" music. The author makes clear that Schoenberg's renunciation of a clear-cut tonality or key does not mean the same thing as atonality or dissonance. In his cogent explanation of serialism, Sachs shows how the 12 tones of the chromatic scale offer the "emancipation from a hierarchy" of the single note as a key center. On the whole, readers don’t need extensive training in music theory to understand this significant development in the history of Western music. Even Schoenberg himself considered his compositional breakthrough to be an evolution, not a revolution, in music. The problem is that most listeners, even skilled musicians, perceive the sound of post-tonal music as emotionally monochromatic, and the result is that this oeuvre is rarely performed by major orchestras today. Schoenberg's path forward split the music world into pro and con factions in the mid-20th century, but Sachs makes a strong argument that composers today may choose from many musical idioms, serialist music being just one of them. Moreover, he shows, Schoenberg's adventures past classic tonality were inventive takes on traditional forms, not complete breaks with the past. Though rarely encountered, his music still matters today.
A convincing, laymen-friendly reappraisal of a great musical theorist, teacher, and composer.Pub Date: July 25, 2023
ISBN: 9781631497575
Page Count: 256
Publisher: Liveright/Norton
Review Posted Online: May 2, 2023
Kirkus Reviews Issue: June 1, 2023
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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