An intriguing look into the male psyche.
A collection of interviews of men, conducted by a woman, about what it means to be male in today’s world.
Poet Barry (Home, 2007) writes that she’s always been “mystified by much of [men’s] behavior.” She says that she fell deeply in love with a man when she was in her 50s, but she often found him emotionally inscrutable—an exasperating experience that inspired her to further interrogate the nature of masculinity and its demands. She started by interviewing men in midlife, then interviewed boys and male subjects in their twilight years. All in all, she talked with more than 80 people, ranging in age from 9 to 94. Her sample is remarkably diverse—straight, gay, transgendered; white, African-American, Latino, Asian-American—with people from a variety of different religions, educational backgrounds, and careers. Barry says that she selected responses that displayed the most vulnerability, which is an abiding theme of the book; sometimes she presents the responses as easily digestible sound bites and other times, as longer essays. Along the way, she addresses boyhood, violence, sex, suicide, fatherhood, and fidelity, just to name a few major concepts. Barry comes to appreciate the extent to which cultural expectations shape and limit a man’s search for identity— including some that she says are set by women. The author seems to have a special talent for extracting candor from her subjects—the confessional transparency of her results is as astonishing as it is moving. The breadth of the interviews is also remarkable; one gets the feeling that the book not only covers the male perspective, but much of the full spectrum of the human experience. The author’s own contributions are thoughtful and elegantly expressed, evincing a motivation that goes beyond simple curiosity: “This inquiry was born of heartache. The sorrow of not knowing how to reach another when this is so much our common human longing. I wanted to keep my heart and mind open.”
An intriguing look into the male psyche.Pub Date: N/A
ISBN: 978-0-692-59254-0
Page Count: 356
Publisher: Phoenix Publishing
Review Posted Online: Aug. 1, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Review Program: Kirkus Indie
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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