A cozy read to share, especially with beloved older relatives.
A mutual love of pie seals an affectionate relationship.
Noor and Granddad are separated by an ocean (though their locations are unspecified). Still, they share a common passion—pie—which they eat together every summer, when Noor and Mom travel by plane to visit Granddad and Nana. Then Noor and her grandfather bake up a storm. The most special—albeit bittersweet—one is the “time-to-say-goodbye pie,” the signal that it’s time for Noor and Mom to leave. But Noor and Granddad still meet virtually for their Friday “pie reports,” where they discuss what’s going on in their lives. Just before Noor leaves this summer, she learns that Granddad’s health is declining; his “arm [has] been shaking more than usual.” Granddad calls these incidents “blue days.” As Granddad’s symptoms increase, he skips their pie reports, so Noor writes her reports and reads them aloud at their next visit. When necessary, Granddad rests; sometimes, he’s better. At story’s end, Noor gives Granddad a hopeful card that reads “For when you need to find your way out of the blue” and tells him he’s stronger than he knows. This upbeat, warmhearted tale bubbles with sweetness; children will appreciate the protagonists’ intergenerational bond as well as the food theme. The delightful illustrations were created with pencil and graphite sticks on paper, then digitally colored; kids will savor those pastries. Noor and Mom have light-brown skin. Granddad is lighter-skinned, and Nana is brown-skinned.
A cozy read to share, especially with beloved older relatives. (Picture book. 5-8)Pub Date: May 14, 2024
ISBN: 9781459838079
Page Count: 32
Publisher: Orca
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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