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MRS. MALORY AND THE FESTIVAL MURDERS

A village fàte, a stately home and its residents, and a literary curmudgeon all figure prominently in the latest adventure of West County author and amateur sleuth Sheila Malory (The Cruellest Month; Mrs. Malory Investigates). When obstreperous Adrian Palgrave, who's unexpectedly been named literary executor of Laurence Meredith's unpublished letters and papers, is murdered on the opening night of the Taviscombe festival, suspects abound- -including poor Robin, the festival treasurer, whom Palgrave humiliated; pregnant Jessie, who was abandoned by him; and Oliver, whose affair Palgrave was about to reveal. Robin then disappears and later surfaces as a suicide, and Palgrave's widow, Enid, announces that she'll now edit the Meredith material—and promptly dies in a suspicious fire. Sheila and her friend's son Roger, a homicide inspector, try to establish a timetable for everyone's movements at the festival, but it's their delving into certain family secrets that finally reveals a (dubious) motive and implicates the guilty. Familiar, cozy fare that entertains right up to the end—when it collapses under a bit of mawkishness. Traditionalists, however, will probably be most forgiving, particularly when they discover the appearance of their favorite murder weapon—the dented candlestick.

Pub Date: May 21, 1993

ISBN: 0-312-08852-3

Page Count: 176

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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THE PEARL

Steinbeck's peculiarly intense simplicity of technique is admirably displayed in this vignette — a simple, tragic tale of Mexican little people, a story retold by the pearl divers of a fishing hamlet until it has the quality of folk legend. A young couple content with the humble living allowed them by the syndicate which controls the sale of the mediocre pearls ordinarily found, find their happiness shattered when their baby boy is stung by a scorpion. They dare brave the terrors of a foreign doctor, only to be turned away when all they can offer in payment is spurned. Then comes the miracle. Kino find a great pearl. The future looks bright again. The baby is responding to the treatment his mother had given. But with the pearl, evil enters the hearts of men:- ambition beyond his station emboldens Kino to turn down the price offered by the dealers- he determines to go to the capital for a better market; the doctor, hearing of the pearl, plants the seed of doubt and superstition, endangering the child's life, so that he may get his rake-off; the neighbors and the strangers turn against Kino, burn his hut, ransack his premises, attack him in the dark — and when he kills, in defense, trail him to the mountain hiding place- and kill the child. Then- and then only- does he concede defeat. In sorrow and humility, he returns with his Juana to the ways of his people; the pearl is thrown into the sea.... A parable, this, with no attempt to add to its simple pattern.

Pub Date: Nov. 24, 1947

ISBN: 0140187383

Page Count: 132

Publisher: Viking

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Nov. 1, 1947

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