This retelling of "The 12 Dancing Princesses" includes all the familiar elements of the Grimms’ fairy tale while adding detail and exciting events—with consummate panache. Azalea is the oldest child and has acted as second mother to her 11 younger sisters since the Queen died giving birth to little Ivy. The grieving king insists on deep mourning for all the court, forbidding the princesses to dance. Since the girls cannot give up dancing—it was their mother’s gift to them—they find a path to an enchanted place under the castle, where the slightly sinister Keeper allows them to dance their slippers into shreds. His initial kindness—“[Y]ou are welcome to dance here, among the magic. Please. Come and mend your broken hearts here,” he invites—changes to cruelty as he becomes ever more controlling. All 11 sisters are very real characters, adding considerable dimension to the story. The unfortunately gauche and clumsy king slowly shows his truly loving heart, especially as he arranges for the older girls to meet appropriate young men as suitors, also well-developed and rewarding characters. The plot zips along, becoming more and more suspenseful as the story progresses until it becomes almost too tense. Dixon balances the suspense with generous helpings of humor and sparkling dialogue. This charming, romantic story, told with a light touch, will appeal to older preteens on up. (Fantasy. 12 & up)
Pub Date: April 1, 2011
ISBN: 978-0-06-200103-0
Page Count: 480
Publisher: Greenwillow Books
Review Posted Online: April 9, 2011
Kirkus Reviews Issue: March 15, 2011
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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