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THE CREATIVE EYE

DRAWING, VISION AND THE BRAIN - ILLUSTRATED EDITION

An inventive and intelligent, yet accessible, approach to drawing; recommended for everyone from amateurs to professionals.

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Spears explores how drawing involves the neurological process of vision as much as it does the movement of the pencil in the artist’s hand.

Spears, an artist, instructor and poet, begins her first instructional book with a simple visual exercise, setting the tone for an interactive reading experience. Although the author acknowledges that some readers might not complete the drawing assignments, they nevertheless represent the heart and soul of the book. At its core, this is a drawing curriculum, and the book only fully comes to life when the reader takes pencil to paper. Spears is interested in the neurobiology of sight, frequently alluding to recent findings—most via functional magnetic resonance imaging—about what kinds of visual experiences make certain areas of the brain ignite with activity. “The visual brain sees,” Spears writes, “and sometimes loves what it sees and calls it ‘beautiful.’ ” That visual passion is hard-wired into our biology, she argues, and it is only the self-criticism, baggage, prejudices and assumptions we bring from the outside world that prevent us from translating that passion into art. The baggage, she says, is “around you and ready to encourage, discourage and generally interfere with your present efforts.” Spears’ heartening philosophy and approach are appealing and accessible (even if the neurological terminology gets a little weighty at times), and it’s easy to see that her assignments might be as useful to seasoned professionals as to beginners. Her own drawings, interspersed throughout the book among student illustrations, are lovely and sensitively wrought, giving credence and weight to her role as an instructor. There are moments when her exercises and instruction seem a bit overly prescriptive—for example, defining her philosophy of vision as empirically “accurate”—but overall, the book is welcoming and expansive. In an added attraction, numerous poets and philosophers offer words about art and vision, which are as inspiring as Spears’ own illustrations.

An inventive and intelligent, yet accessible, approach to drawing; recommended for everyone from amateurs to professionals.

Pub Date: Oct. 3, 2013

ISBN: 978-1617504501

Page Count: 270

Publisher: CreateSpace

Review Posted Online: Oct. 15, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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