The twist at the end is both humorous and instructional; adults will hope children see and heed its message.
The monkey cage’s change of venue—to a spot near the picnic area—causes its inhabitants to learn human manners, but some just can’t stand for that.
The young monkeys are fascinated by the children outside their cage. And they quickly pick up on the ways the kids and parents interact. It’s not long before the monkeys are chewing with their mouths closed, taking turns, playing quietly, and tidying up. This drives their exasperated mother bananas: “TRY TO BEHAVE LIKE MONKEYS!” But each time they try to make her happy, they are deprived of watching the children’s antics; the fascinated kids either stop to watch the monkeys or the monkeys lose their concentration. But one day, a wild group of children visits the zoo. They are mystified by the unmonkeylike behavior of the monkeys and set out to show them what to do. When the zookeeper sees this, she understands she’s made a terrible mistake. Readers will expect her to move the monkey cage back to its original location, but her solution will have parents nodding in understanding and spark children’s laughter. Huyck’s digitally colored pencil illustrations play up the humor of the monkeys’ well-mannered behavior, and small details add to the fun—look for the monkey with a banana-peel tie and an age-old joke. The families are nicely diverse, and the zookeeper is a middle-aged white woman with a gray ponytail.
The twist at the end is both humorous and instructional; adults will hope children see and heed its message. (Picture book. 3-7)Pub Date: April 1, 2016
ISBN: 978-1-77138-051-5
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Feb. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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