While not egregiously terrible, this is yet another also-ran in the hordes of books vying to be the next Hunger Games or...
Standard-issue dystopia set in a post–global-warming future: plucky heroine, lying leaders, ridiculous endurance tests and, yes, two hot guys.
Eva is a Maiden of New North, the last remaining civilization after oceans rose and the world flooded. The Lex, or law, of her world is filled with references to the evil of the “false god Apple” and strict hierarchical and gendered rules for living. After her twin brother’s death, Eva takes his place as a Testor seeking Relics from the pre-Healing time. If she can find a worthy Relic and craft a suitably moral cautionary tale (but not a Lex-prohibited “fiction”), she can succeed her father as Chief Archon. The plethora of details include Inuit and Latin terms and slightly entertaining but preachy uses of real-world items (Prozac, MasterCards) listed as evils of the past, all of which set this slightly apart from similar books but might overwhelm readers. Moreover, the plot lacks plausibility, some of which is revealed to be intentional but much of which seems designed to propel action. Flat first-person narration and weak characterization detract from the good bits, and in the end, it’s really all setup for the next volume anyway.
While not egregiously terrible, this is yet another also-ran in the hordes of books vying to be the next Hunger Games or Divergent. (map, illustrations) (Science fiction. 12 & up)Pub Date: Oct. 29, 2013
ISBN: 978-1-61695-196-2
Page Count: 288
Publisher: Soho Teen
Review Posted Online: Aug. 2, 2013
Kirkus Reviews Issue: Aug. 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
