Though the protagonist will test your patience with his road stories, he has some great ones.
A white Midwestern boy’s wanderlust sends him on an unlikely path around the world and deep into the Salvadoran revolution.
Tobar’s third novel is based on the true story of Joe Sanderson, who was, among other things, a failed writer; his overheated prose, appearing in letters home and rejected novels, is quoted often. But his copious journals and letters also provide a narrative throughline for this shaggy dog epic. Tobar stumbled upon Sanderson’s diary in El Salvador in 2008, and the author is plainly charmed by the story of an all-American gringo who gave up a comfortable upbringing to see the world. Born and raised in Urbana, Illinois, Joe caught the travel bug early, exploring nontourist pockets of Jamaica as a teen on a family vacation. After brief college and Army stints, he bummed rides through Central and South America, the Middle East, and Asia, witnessing the escalating Vietnam War and the famine in Biafra. Tobar renders Joe as naïve and dispassionate early on, a young man eagerly gathering fodder for his bad novels but not gaining much empathy. And though Tobar is a gifted storyteller in both fiction (The Barbarian Nurseries, 2011) and nonfiction (Deep Down Dark, 2014), his hero’s lack of emotional growth makes much of the heart of the novel draggy and listless. (Joe occasionally interrupts the narrative via footnotes in which he speaks directly to the reader, mentioning that Tobar’s editor and agent recommended he “trim the shit out of” the novel. True or not, it’s not bad advice.) The novel gains thrust and becomes more affecting in its final third, when Joe joins the anti-government revolutionaries in El Salvador in the late 1970s and early '80s; Tobar’s depiction of the 1981 El Mozote massacre is chilling and imagines a genuine shift in Joe’s character.
Though the protagonist will test your patience with his road stories, he has some great ones.Pub Date: Aug. 25, 2020
ISBN: 978-0-374-18342-4
Page Count: 416
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A quiet and poignant debut from a writer to watch.
An Indigenous family is forever changed after one of their own goes missing.
Peters’ debut novel explores the lives of a Mi’kmaq family from Nova Scotia as they grapple with their decades-old trauma. In 1962, Ruthie, the family’s youngest daughter, goes missing from the berry farm in Maine where they work every summer. Told from alternating perspectives, the novel follows Joe, Ruthie’s older brother and the last person to see her before she went missing, and Norma, a young girl living in Maine with an aloof father and overbearing mother. Lying on his deathbed, Joe thinks back on his life, which has been filled with grief, rage, and all-consuming guilt: “People have given me their time, their love, their bodies, their secrets. And I’ve given so little.” After a brutal act of violence, Joe spent the next few decades running from himself and his sins, so as not to inflict more harm onto the ones he loves the most. Meanwhile, Norma recounts her life, which was plagued by a different kind of guilt, one that caused her to always be the dutiful daughter—the daughter who didn’t ask too many questions, ignored the lack of baby pictures, and chose to forget the vivid and painful dreams that plagued her childhood (“Each time I woke, I grieved for the woman cloaked in darkness and I tried to call out to her”). Eventually, Norma goes to college, becomes a teacher, and falls in love—and she spends the next few decades finding a way to live with the unsettling feeling that something isn’t quite right with her life. As Norma’s true identity is barely concealed, the novel is less concerned with maintaining a mystery than with exploring how brutality ripples out, touching everything and everyone in its wake. Peters beautifully explores loss, grief, hope, and the invisible tether that keeps families intact even when they are ripped apart.
A quiet and poignant debut from a writer to watch.Pub Date: Oct. 31, 2023
ISBN: 9781646221950
Page Count: 320
Publisher: Catapult
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
Strangely stuffy and muted.
The little-known story of the Black woman who supervised J. Pierpont Morgan’s storied library.
It's 1905, and financier J.P. Morgan is seeking a librarian for his burgeoning collection of rare books and classical and Renaissance artworks. Belle da Costa Greene, with her on-the-job training at Princeton University, seems the ideal candidate. But Belle has a secret: Born Belle Marion Greener, she is the daughter of Richard Greener, the first Black graduate of Harvard, and she's passing as White. Her mother, Genevieve, daughter of a prominent African American family in Washington, D.C., decided on moving to New York to live as White to expand her family’s opportunities. Richard, an early civil rights advocate, was so dismayed by Genevieve’s decision that he left the family. As Belle thrives in her new position, the main source of suspense is whether her secret will be discovered. But the stakes are low—history discloses that the career-ending exposure she feared never came. There are close calls. J.P. is incensed with her but not because of her race: She considered buying a Matisse. Anne Morgan, J.P.’s disgruntled daughter, insinuates that Belle has “tropical roots,” but Belle is perfectly capable of leveraging Anne’s own secrets against her. Leverage is a talent of Belle’s, and her ruthless negotiating prowess—not to mention her fashion sense and flirtatious mien—wins her grudging admiration and a certain notoriety in the all-White and male world of curators and dealers. Though instructive about both the Morgan collection and racial injustice, the book is exposition-laden and its dialogue is stilted—the characters, particularly Belle, tend to declaim rather than discuss. The real Belle left scant records, so the authors must flesh out her personal life, particularly her affair with Renaissance expert Bernard Berenson and the sexual tension between Belle and Morgan. But Belle’s mask of competence and confidence, so ably depicted, distances readers from her internal clashes, just as her veneer must have deterred close inquiry in real life.
Strangely stuffy and muted.Pub Date: June 29, 2021
ISBN: 978-0-593-10153-7
Page Count: 352
Publisher: Berkley
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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