Though the protagonist will test your patience with his road stories, he has some great ones.
A white Midwestern boy’s wanderlust sends him on an unlikely path around the world and deep into the Salvadoran revolution.
Tobar’s third novel is based on the true story of Joe Sanderson, who was, among other things, a failed writer; his overheated prose, appearing in letters home and rejected novels, is quoted often. But his copious journals and letters also provide a narrative throughline for this shaggy dog epic. Tobar stumbled upon Sanderson’s diary in El Salvador in 2008, and the author is plainly charmed by the story of an all-American gringo who gave up a comfortable upbringing to see the world. Born and raised in Urbana, Illinois, Joe caught the travel bug early, exploring nontourist pockets of Jamaica as a teen on a family vacation. After brief college and Army stints, he bummed rides through Central and South America, the Middle East, and Asia, witnessing the escalating Vietnam War and the famine in Biafra. Tobar renders Joe as naïve and dispassionate early on, a young man eagerly gathering fodder for his bad novels but not gaining much empathy. And though Tobar is a gifted storyteller in both fiction (The Barbarian Nurseries, 2011) and nonfiction (Deep Down Dark, 2014), his hero’s lack of emotional growth makes much of the heart of the novel draggy and listless. (Joe occasionally interrupts the narrative via footnotes in which he speaks directly to the reader, mentioning that Tobar’s editor and agent recommended he “trim the shit out of” the novel. True or not, it’s not bad advice.) The novel gains thrust and becomes more affecting in its final third, when Joe joins the anti-government revolutionaries in El Salvador in the late 1970s and early '80s; Tobar’s depiction of the 1981 El Mozote massacre is chilling and imagines a genuine shift in Joe’s character.
Though the protagonist will test your patience with his road stories, he has some great ones.Pub Date: Aug. 25, 2020
ISBN: 978-0-374-18342-4
Page Count: 416
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A novel of horrific beauty, where death is the only truth.
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
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A moving, hilarious reminder that parenthood, just like life, means constant change.
During an annual beach vacation, a mother confronts her past and learns to move forward.
Her family’s annual trip to Cape Cod is always the highlight of Rocky’s year—even more so now that her children are grown and she cherishes what little time she gets with them. Rocky is deep in the throes of menopause, picking fights with her loving husband and occasionally throwing off her clothes during a hot flash, much to the chagrin of her family. She’s also dealing with her parents, who are crammed into the same small summer house (with one toilet that only occasionally spews sewage everywhere) and who are aging at an alarmingly rapid rate. Rocky’s life is full of change, from her body to her identity—she frequently flashes back to the vacations of years past, when her children were tiny. Although she’s grateful for the family she has, she mourns what she’s lost. Newman (author of the equally wonderful We All Want Impossible Things, 2022) imbues Rocky’s internal struggles with importance and gravity, all while showcasing her very funny observations about life and parenting. She examines motherhood with a raw honesty that few others manage—she remembers the hard parts, the depths of despair, panic, and anxiety that can happen with young children, and she also recounts the joy in a way that never feels saccharine. She has a gift for exploring the real, messy contradictions in human emotions. As Rocky puts it, “This may be the only reason we were put on this earth. To say to each other, I know how you feel.”
A moving, hilarious reminder that parenthood, just like life, means constant change.Pub Date: June 18, 2024
ISBN: 9780063345164
Page Count: 240
Publisher: Harper/HarperCollins
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
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