Respectful (to its subject at least) but a staid, distant picture.
How the future first lady overcame her fears.
A misleading subtitle isn’t all that afflicts this profile—which, rather than highlight Roosevelt’s “kindness,” points to an early experience of being tossed off a damaged ocean liner into a lifeboat as the origin of deep anxiety issues and goes on, in the wake of the deaths of her parents and brother, to trace the blossoming of her self-confidence under the tutelage of Marie Souvestre, headmistress at a British boarding school, and her initial involvement in social causes. The author ends with Eleanor’s first chance encounter with Franklin but expands on her career and legacy in an afterword. There’s a condescending tone toward others in parts of Becker’s narrative (“As she approached the settlement house for the first time, a wave of terror threatened to engulf her. What poverty!”) that is reinforced by a later quote from Roosevelt about how “the underdog was always the one to be championed.” People don’t remain quite so anonymous in Lewis’ pale, understated illustrations, though people in group settings do have generic features; in a capping final scene, there are brown individuals among the White ones. Eleanor Roosevelt is hard to top as a role model, but readers will get a more robust sense of her character from Barbara Kerley’s Eleanor Makes Her Mark (2020), illustrated by Edwin Fotheringham. (This book was reviewed digitally.)
Respectful (to its subject at least) but a staid, distant picture. (references and further resources) (Picture-book biography. 7-9)Pub Date: Feb. 28, 2023
ISBN: 9780316316415
Page Count: 32
Publisher: Christy Ottaviano Books
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
Disappointingly lackadaisical.
Punctuated—unsurprisingly—by explosions, an account of the groundbreaking rocketeer’s childhood and first experiments.
Fueled by an early interest in hands-on science nurtured by his parents and sparked by reading The War of the Worlds, Goddard’s ambition to “build something that would soar to space” led to years of experimentation and failure analysis. Finally, in 1926, a brief but successful flight pointed the way to “every shuttle that has blasted into space, every astronaut who has defied gravity, and every man who has walked on the moon.” Fulton occasionally skimps on scientific details (in one childhood trial Robert “emptied a small vial of hydrogen into a pan”; even in the backmatter, there’s no explanation why, as he notes in his journal, “Hydrogen and oxygen when combined near a flame will ignite”). Still, she highlights the profound curiosity and determined, methodical effort that ultimately earned her subject a well-deserved place in the pantheon of scientists and inventors. Scientific gear in Funck’s cartoon illustrations often looks generic, and in one scene he depicts a rocket that is markedly different from the one described in the adjacent narrative. Moreover, his explosions look like fried eggs, and most come with oddly undersized if all-capped onomatopoeia (“BOOM!”; “POP!”) that underplays both the melodramatic potential and the real danger to which Goddard must have exposed himself. Goddard and his family are white.
Disappointingly lackadaisical. (afterword, list of sources) (Picture book/biography. 7-9)Pub Date: July 3, 2018
ISBN: 978-1-4814-6098-9
Page Count: 40
Publisher: McElderry
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
Admiration for a unique talent shines as brightly as her jeweled creations in this biographical homage.
Judith Leiber designed over-the-top jeweled evening bags that have become cherished collector’s items.
She and her family survived World War II and the Holocaust as forced laborers in factories, living in shared apartments with other Jewish families and later hiding in a basement. All the while she kept dreaming of the bags she would make someday. She married an American and moved to New York, where she worked for many handbag companies and then started her own, making her signature bags for the rich and famous. They took the form of animals or food and all kinds of imaginative shapes. Each bag was covered in jewels and crystals in a plethora of shining, gleaming, bright colors. Blumenthal blends biographical facts with glowing, almost breathless descriptions of the unusual, beautiful bags and their celebrated owners. Readers may notice that the chronology is off; they learn that Leiber started her own company in 1963 and then, a few pages later, that Leiber designed Mamie Eisenhower’s bag for the 1953 inaugural balls. D’yans’ softly hued, slightly fuzzy illustrations depict many of the bags noted by the author and seem to shine as brightly as the bags themselves. Dark, muddy hues appropriately limn the Holocaust years.
Admiration for a unique talent shines as brightly as her jeweled creations in this biographical homage. (author’s note, photographs, bibliography) (Picture book/biography. 7-9)Pub Date: Aug. 27, 2019
ISBN: 978-1-4998-0898-8
Page Count: 40
Publisher: Page Street
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
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