Respectful (to its subject at least) but a staid, distant picture.
How the future first lady overcame her fears.
A misleading subtitle isn’t all that afflicts this profile—which, rather than highlight Roosevelt’s “kindness,” points to an early experience of being tossed off a damaged ocean liner into a lifeboat as the origin of deep anxiety issues and goes on, in the wake of the deaths of her parents and brother, to trace the blossoming of her self-confidence under the tutelage of Marie Souvestre, headmistress at a British boarding school, and her initial involvement in social causes. The author ends with Eleanor’s first chance encounter with Franklin but expands on her career and legacy in an afterword. There’s a condescending tone toward others in parts of Becker’s narrative (“As she approached the settlement house for the first time, a wave of terror threatened to engulf her. What poverty!”) that is reinforced by a later quote from Roosevelt about how “the underdog was always the one to be championed.” People don’t remain quite so anonymous in Lewis’ pale, understated illustrations, though people in group settings do have generic features; in a capping final scene, there are brown individuals among the White ones. Eleanor Roosevelt is hard to top as a role model, but readers will get a more robust sense of her character from Barbara Kerley’s Eleanor Makes Her Mark (2020), illustrated by Edwin Fotheringham. (This book was reviewed digitally.)
Respectful (to its subject at least) but a staid, distant picture. (references and further resources) (Picture-book biography. 7-9)Pub Date: Feb. 28, 2023
ISBN: 9780316316415
Page Count: 32
Publisher: Christy Ottaviano Books
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
Serviceable as assignment fodder or as a gateway to more searching studies.
A short, occasionally revealing profile of an immigrant who got the job done.
Joining other children’s-book creators attempting to ride the Broadway phenomenon’s coattails, Adler creates a distant, even staid, portrait of Hamilton’s character. Opening and closing with accounts of the Burr duel, he also drops in a few too many names without sufficient context. Still, along with noting his subject’s major public achievements in war and peace and making some references to his private life, he does frankly note in the main narrative that Alexander was born to unmarried parents and in the afterword that he was taken in for a time by a family that may have included a half brother. (The author also makes a revealing if carelessly phrased observation that he helped to run a business in his youth that dealt in “many things,” including “enslaved people.”) Collins’ neatly limned painted scenes lack much sense of movement, but he’s careful with details of historical dress and setting. Most of his figures are light skinned, but there are people of color in early dockside views, in a rank of charging American soldiers, and also (possibly) in a closing parade of mourners. Multichapter biographies abound, but as a first introduction, this entry in Adler’s long-running series won’t bring younger readers to their feet but does fill in around the edges of Don Brown’s Aaron and Alexander: The Most Famous Duel in American History (2015).
Serviceable as assignment fodder or as a gateway to more searching studies. (timeline, bibliography, notes) (Picture book/biography. 7-9)Pub Date: Dec. 10, 2019
ISBN: 978-0-8234-3961-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: Sept. 28, 2019
Kirkus Reviews Issue: Oct. 15, 2019
A well-turned tale with flashes of insight.
An illuminating study of the visionary inventor’s tumultuous life and equally stormy career.
In a portrait powered by twin themes of electricity and obsession, Dockray retraces Tesla’s life from birth (during a thunderstorm) and early youth (wandering about his family’s yard with nose in a book about, presciently, Niagara Falls) to the lighting of the Chicago World’s Fair in 1893 and the opening of the massive alternating-current hydroelectric project at, yes, Niagara Falls in 1895. She then closes with a quick list of his other inventions over a view of him speeding past in the modern electric car that bears his name. In an afterword (set in small type) she suggests that his behavior points to an “autism spectrum disorder” diagnosis and summarizes his troubled, obscure final years. Sidebars alongside the main narrative explain the difference between AC and DC, how a dynamo works, and other relevant topics; a timeline includes several incidents and inventions not mentioned in the main narrative. The line-drawn illustrations have an old-time–y look, emphasized by sparing application of color, that’s occasionally jarred by the sudden appearance of a collaged-in photographic element. Though this doesn’t equal the voltage of Elizabeth Rusch’s Electrical Wizard, illustrated by Oliver Dominguez (2013), it generates watts enough to leave readers with a deeper understanding of Tesla’s larger-than-life feats and flaws. Human figures are white throughout, the men sporting picturesque period facial hair.
A well-turned tale with flashes of insight. (glossary, further reading) (Picture book/biography. 7-9)Pub Date: Aug. 1, 2020
ISBN: 978-1-68446-141-7
Page Count: 32
Publisher: Capstone Editions
Review Posted Online: April 11, 2020
Kirkus Reviews Issue: May 1, 2020
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