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POMEGRANATE

The novel's slower moments are like a pomegranate's dull skin before it breaks to reveal a cache of jewels.

Lee’s third novel returns to the terrain of The Serpent’s Gift (1994) as it follows a Black woman working to reunite with her children in the wake of addiction and incarceration.

After a four-year sentence, Ranita Atwater exits the Oak Hills correctional facility into a freedom that is shackled to her past. As Ranita seeks to shore up her sobriety and defend her parental status, she bumps up against memories from her former lives—her childhood as a girl with a loving Daddy and a Mama who found her wanting; her tumultuous relationship with Jasper, the father of her children, who introduced her to opiates; her descent into heroin addiction with David Quarles; and the blossoming joy of her love for Maxine, a fellow inmate. The novel alternates among these timelines, following the logic of Ranita’s memory. Each chapter-length flashback trades the first-person narration of the present-day sections for a third-person perspective. But as she opens up to state-mandated therapist Drew Turner, Ranita reveals the traumas at the core of her struggles with addiction. Throughout, Ranita speaks of racism and systemic injustice with awesome clarity. “In prison,” she tells Turner, “...you’re just breathing flesh that can house contraband, and cause violence, and run.” Also: “Being a commodity. Being bred….All of that’s echoing, day in and day out.” Diction is a central theme, as Ranita, a lover of words and facts, considers how men have used a nickname—Cherry—to define her according to their perception. The novel bristles with strong women, from aunties Jessie and Val to the inmates and sponsor who inspire Ranita to have faith in herself. Because it eschews plot twists for emotional reflection, the novel drags at times; but Lee’s handling of trauma is deft, and her portrayal of the carceral system’s cruelty is unflinching and empathetic.

The novel's slower moments are like a pomegranate's dull skin before it breaks to reveal a cache of jewels.

Pub Date: April 11, 2023

ISBN: 9781982171896

Page Count: 352

Publisher: Atria

Review Posted Online: Feb. 7, 2023

Kirkus Reviews Issue: March 1, 2023

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CONFORM

For readers of the once-popular dystopian YA novels who are now all grown up.

In a distant future, after the Last War when the human population became endangered, a new society formed from the ashes, strictly to optimize procreation.

But not procreation between just anyone. This society, ruled by the Illum—a mysterious authoritarian group—assigns mates to select for the best traits and to breed out defects, to grow the Elite population living in the clouds. Protagonist Emeline is a stubborn and bored young woman, working her days away on the ground as a Minor Defect—one of the class of women waiting to be approved for mating with an Elite, and hoping to never be banished further from society. Emeline’s instincts are apparently to reject the rigid decorum of her society, but she spends years trying to follow the rules set out for her, or at least dissociates enough not to challenge her way of life, until one day an elusive and charming man, Hal, walks into her office to talk about art. The same day, she is approved for mating and matched with Collin, the youngest member of the Illum, in the sort of pairing that hasn’t happened in decades. Courtship with Collin is full of luxury—fancy dinners and balls in the clouds—but also lies and days of discovering secrets kept from her, while trying to keep the Elite’s rumors and malicious Press at bay. Caught between these two men, with their own agendas, and so many unanswered questions, Emeline must decide what she wants, if she can want anything at all. With a rebellion rising in secret and the repression of the Illum close at hand, she’ll find what she’s willing to lose for the ability to choose for herself. The dystopian worldbuilding is underdeveloped at best, so get swept up in discovering truth from lies quickly before it starts to fall apart in your hands.

For readers of the once-popular dystopian YA novels who are now all grown up.

Pub Date: Oct. 14, 2025

ISBN: 9798217090990

Page Count: 416

Publisher: Ballantine

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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REGRETTING YOU

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

When tragedy strikes, a mother and daughter forge a new life.

Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

Pub Date: Dec. 10, 2019

ISBN: 978-1-5420-1642-1

Page Count: 400

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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