High times with the mother of autofiction.
A dreamy sojourn in the druggy, sexy counterculture of mid-1970s Melbourne, Australia.
“There was plenty of good dope around. Gracie was at school. The sun shone every day. I rode my bike everywhere. I went to the library. I was reading two novels a day. When Gracie came home from school we would doze off on my bed in the hot afternoon. For days at a time there was no sign of Javo.” When this novel was first published in Australia in 1977, it was both a huge bestseller and the focus of critical outrage. Garner’s fiction debut was so closely modeled on her own life that she was accused of having published her diary. Her response was, essentially, so what? As for the novel’s title, its meaning is elucidated by protagonist Nora, cursing her obsession with Javo: “Smack habit, love habit—what’s the difference?” Javo himself is straight outta Denis Johnson’s Jesus’ Son, the ultimate charming fuckup/hopeless addict. As a druggy single mom navigating a complicated web of open relationships, Nora has frequent recourse to the wisdom of the I Ching: “You gather friends around you / As a hair clasp gathers the hair.” However spotty the attention of the grown-ups, 5-year-old Gracie seems more than able to cope, at one point playing “downstairs by herself, singing and drawing and reading aloud great tracts of Baby and Child Care by Doctor Spock.” In an introduction to this edition, Lauren Groff speaks of feeling “gripped inexorably by Helen Garner’s marvelous prose” and finding the book to be “suffused with this sort of sideways happiness even in the deepest throes of Nora’s misery.” Hmmm, yes, though for some the grip may wear off somewhere in the middle of the 352 pages. Just as interesting as reading the book is reading about the book; with Garner now the literary queen of Australia, much thinking and rethinking about this seminal novel has gone on.
High times with the mother of autofiction.Pub Date: Feb. 20, 2024
ISBN: 9780553387452
Page Count: 352
Publisher: Pantheon
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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