Though Garner’s voice is always worth hearing, this collection might not be the best place for new readers to begin.
Short fiction from an eminent Australian writer.
In a thoughtful foreword, Jonathan Escoffery finds throughlines in this group of 14 stories, gathered from two books originally published in Australia in 1985 and 1998. He points out that most feature women living in the “transformative period of feminism’s second wave.” Many feature travelers found in airports, on ferries, in lodgings in France, Germany, or England. Though in general Garner’s approach is, as Escoffery says, associative, elliptical, and avoidant of epiphanies, some of the most accessible moments deliver feminist revelations. For example, in the last story, “What We Say,” the narrator is staying with a male friend in Sydney who serves lunch to her and her good friend after they’ve seen Rigoletto. It quickly becomes apparent that they view the opera very differently, from distinctly gendered perspectives. While it seems obvious to the host that it speaks to a male fear of losing their daughters, and thus belongs to a male tradition of art, the women see it as a story about being unable to protect their children. What are the historic themes of women’s literature, the host wonders. “We don’t have a tradition in the way you blokes do,” the narrator says. If anything, it’s “a shadow tradition….It’s there, but nobody knows what it is.” Her friend adds, “We’ve been trained in your tradition….We’re honorary men.” In this conversation and others, Garner moves women out of the shadows, asserts their agency. Two friends take a walk through a cemetery. “My friend pointed out a headstone which said, She lived only for others. ‘Poor thing,’ said my friend. ‘On my grave I want you to write, She lived only for herself.’” Without the strong central narrative voice of Garner’s novels, the raw, autofictional quality for which she’s known is not as prominent, though there is a charming early childhood story with a main character named Little Helen. Her prose, as always, is honest, energetic, spare, and precise.
Though Garner’s voice is always worth hearing, this collection might not be the best place for new readers to begin.Pub Date: March 3, 2026
ISBN: 9780553387476
Page Count: 208
Publisher: Pantheon
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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