The obvious audience: opera lovers whom the pandemic has denied live performances. They'll get to visit the old Met too.
The headline news about this reprinting of the famed soprano’s 1951 behind-the-scenes whodunit isn’t in its plot but in its byline.
Someone is clearly trying to kill soprano Elsa Vaughn, but whoever it is keeps missing and hitting someone else. Following several earlier close calls, retired Heldentenor Rudolf Salz has to be carried out of the prompter’s box after he succumbs to the strychnine in a bottle of Scotch originally purchased by business manager Howard Stark for Elsa, who’s performing onstage as Brünnehilde: “Perhaps it was only natural that her next note was a full octave off pitch.” Tenor Karl Ecker, singing Siegmund, delivers the perfect epitaph: “Salz should have died elsewhere.” When rising rival soprano Hilda Semple, a Salz protégée who’s been under contract to him, is shot to death as she sits at Elsa’s dressing table during intermission a few days later, Traubel dryly observes: “The second and third acts of Tristan und Isolde as sung that afternoon were barely adequate.” Unfortunately, gems like these are few and far between, dominated though not upstaged by backstage intrigues swirling around meddlesome patron Edwina DeBrett; her wealthy husband, Stanley; Stanley’s daughter, Elsa’s ambitious pupil Jane; and his late sister, Ivy, whose marriage to Karl was cut short a year ago when she was killed in a home robbery. Then why, wonders Lt. Sam Quentin, has a pin the thief stole just now turned up in a pawnshop? The big reveal comes early on, when editor Leslie S. Klinger identifies Traubel’s ghostwriter as Harold Q. Masur, who went on to write a series of legal thrillers more thrilling than this.
The obvious audience: opera lovers whom the pandemic has denied live performances. They'll get to visit the old Met too.Pub Date: Feb. 1, 2022
ISBN: 978-1-4642-1590-2
Page Count: 208
Publisher: Poisoned Pen
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.
A news presenter and a police detective are brought together by murders in the British village where they both grew up.
There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.Pub Date: July 28, 2020
ISBN: 978-1-250-26608-8
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK TO SCREEN
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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