Two thumbs up for action, suspense, and lust.
The opening of a major film festival goes off script when the CEO’s former husband and his half brother—her current lover—go missing.
In Walsh’s suspenseful debut about the politics, pressure, and glamour behind the scenes of an international film fest, Jane Browning pole-vaults from artistic director to acting CEO of a famous Canadian Film Festival after allegations of sexual wrongdoing sideline the organization’s head. Problems plague the festival: A sponsoring Asian country wants veto power over the screening of a documentary critical of its government, and a hotel maid accuses a famed director of assault, landing him in jail instead of on the red carpet. Jane’s partner of seven years, Bob Walker-Smythe, doesn’t show on the festival’s opening night, and he fails to answer his cell. The previous month, Bob’s half brother Johnnie, who’s Jane’s ex, went AWOL. After Johnnie and Jane had called it quits, she hooked up with Bob (the “sexual tension was exquisite”), and the three of them are now business partners in Smythe Financial, a midsize firm. Her festival a madhouse and her lover missing, Jane’s life is complicated further when the Ontario Securities Commission announces there’s major money missing from Smythe Financial. Tension becomes palpable when Jane realizes someone is stalking her. The title of this taut, thrilling literary novel, written by a former film producer, refers to a camera technique in which the focus adjusts from one character to another. Similarly, the reader’s focus changes from one of Jane’s worsening problems to another. She imagines her varying situations as a filmmaker would. For example, after typing an address into her phone’s GPS, she follows the route on the screen, “watching the journey as a director might: a long establishing shot of a city neighborhood, circuitous jungle of one-way streets, dead ends, and glass towers.” There are rich descriptions throughout; for example, a woman “vibrated with triumph,” and a man’s flesh was as cold as imagined, “although also sweaty, which was an unwelcome surprise.”
Two thumbs up for action, suspense, and lust.Pub Date: Sept. 7, 2021
ISBN: 978-1770415799
Page Count: 272
Publisher: ECW Press
Review Posted Online: Nov. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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