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VARMINTS

Here Ward’s brief lament for the loss of nature’s peace and quiet to rampant urbanization really gets tricked out by elaborate packaging, occasional translucent pages and Craste’s hyper-atmospheric digital art. The soft sounds of bees and birds once “touched and warmed the hearts of those FEW who paused and cared to listen,” but that was before the OTHERS arrived with immense skyscrapers and so much noise that all thought was driven away. Set over futuristic, dimly lit buildings and the scurrying shadows of residents—who are depicted as rabbit-like creatures with shiny black noses and eyes—the spidery lines of silver text are almost impossible to see. The illustrations also expand on the allusive narrative with a baroque plot in which one last pot of meadow flora somehow causes everyone to stop, hear the bees again and construct giant terrariums that are part seedpod, part flying saucer, as enclosed preserves. Craste is an award-winning creator of animated shorts, and is making a film of this book. Perhaps it’ll make more sense on the screen. (Picture book. 7-9, adult)

Pub Date: March 25, 2008

ISBN: 978-0-7636-3796-5

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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I AM GRAVITY

An in-depth and visually pleasing look at one of the most fundamental forces in the universe.

An introduction to gravity.

The book opens with the most iconic demonstration of gravity, an apple falling. Throughout, Herz tackles both huge concepts—how gravity compresses atoms to form stars and how black holes pull all kinds of matter toward them—and more concrete ones: how gravity allows you to jump up and then come back down to the ground. Gravity narrates in spare yet lyrical verse, explaining how it creates planets and compresses atoms and comparing itself to a hug. “My embrace is tight enough that you don’t float like a balloon, but loose enough that you can run and leap and play.” Gravity personifies itself at times: “I am stubborn—the bigger things are, the harder I pull.” Beautiful illustrations depict swirling planets and black holes alongside racially diverse children playing, running, and jumping, all thanks to gravity. Thorough backmatter discusses how Sir Isaac Newton discovered gravity and explains Albert Einstein’s theory of relativity. While at times Herz’s explanations may be a bit too technical for some readers, burgeoning scientists will be drawn in.

An in-depth and visually pleasing look at one of the most fundamental forces in the universe. (Informational picture book. 7-9)

Pub Date: April 15, 2024

ISBN: 9781668936849

Page Count: 32

Publisher: Tilbury House

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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