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HOW IT FEELS TO FLOAT

Haunting.

An Australian teenager struggles to cope with grief and mental illness in this captivating debut.

Seventeen-year-old Biz constantly sees her father even though he died nearly 10 years ago. He pops up to remind her of events from her childhood, to speak with her when she’s spiraling, to puzzle out their shared history of mental illness. She doesn’t tell anyone else: not her single mother, not her best friend, Grace (with whom she shared a kiss), not the new boy, Jasper, who walks with a limp, or his grandmother, who has taken Biz under her wing. After an incident further triggers her undiagnosed (or, at least, unnamed) PTSD, Biz begins to unravel, dropping out of school before both literally and metaphorically journeying to better understand her father. Biz’s mental health crisis, which primarily takes the form of hallucinations, dissociation, and panic attacks, is portrayed with raw, vivid authenticity. Biz and the majority of the cast default to white (Grace is implied biracial Chinese/white), and while their sexual identities are questioned, they never become the central focus of the story. Characters sometimes feel flat or underdeveloped, but this is fitting for Biz’s first-person perspective, which is unreliable and frequently foggy. Fox’s prose is lyrical and profoundly affecting, providing a nuanced account of the hereditary effects of trauma.

Haunting. (resources) (Fiction. 14-18)

Pub Date: May 7, 2019

ISBN: 978-0-525-55429-5

Page Count: 384

Publisher: Dial Books

Review Posted Online: March 2, 2019

Kirkus Reviews Issue: March 15, 2019

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SOME MISTAKES WERE MADE

A powerful tale of found family and first love.

After a year away, Ellis returns home to confront her past.

Graduating from high school far from everything familiar was not part of Ellis Truman’s original plans, but she nevertheless ended up spending her senior year with her aunt in California. In Indiana, Ellis practically grew up with the Albrey family and their three tightknit sons, Dixon, Tucker, and Easton. Now, Tucker wants her to return home for matriarch Sandry Albrey’s 50th birthday celebration on the Fourth of July—but Ellis is dreading seeing Easton, as they haven’t talked since she left. Chapters alternate between past and present, and much of the story unravels slowly: How did she come to live with the Albreys? What caused Ellis to then end up in San Diego? What happened in her relationship with Easton? Patient readers will find the heartfelt tension pays off. With her father in and out of jail and an absent mother, socio-economic differences separating Ellis from the middle-class Albreys don’t go unnoticed, and Ellis’ down-to-earth journey shows how she unpacks her feelings about her relationship with her parents. The slow-build romance is swoonworthy, and young adult fans of Colleen Hoover seeking emotional devastation and unforgettable characters will find much to enjoy here. Characters read as White.

A powerful tale of found family and first love. (Fiction. 14-18)

Pub Date: May 10, 2022

ISBN: 978-0-06-308853-5

Page Count: 384

Publisher: HarperTeen

Review Posted Online: Jan. 10, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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DON'T LET THE FOREST IN

Lush, angsty, queer horror.

When the monsters they imagine come to life, two boys fight for their lives—and each other.

Andrew Perrault, who’s from Australia, writes beautiful, macabre fairy tales. His roommate at his American boarding school, Wickwood Academy, is talented artist Thomas Rye, who brings his stories to vivid life in paint and charcoal. Andrew’s twin sister, Dove, is all but ignoring him, so he has plenty of time to focus on Thomas’ increasingly odd behavior. Thomas’ parents disappeared just before the new school year started, and Andrew noticed blood on his roommate’s sleeve on their first day back. When he follows Thomas into the forest one night, Andrew discovers him fighting one of the monsters that Thomas has drawn from these stories. The boys soon find themselves coping with vicious bullies by day and fighting monsters by night. At the same time, Andrew struggles to reconcile his feelings for Thomas with his growing awareness of his own asexuality. But when the sinister Antler King breaches Wickwood’s walls, Andrew realizes that he and Thomas may not survive their own creations. This novel, written in rich, extravagant prose, features frank portrayals of disordered eating, self-harm, bullying, and mental illness. Andrew grapples realistically with his sexual identity, and the story has ample genuinely creepy moments with the monsters. Andrew, Thomas, and Dove are white.

Lush, angsty, queer horror. (content warning) (Horror. 14-18)

Pub Date: Oct. 29, 2024

ISBN: 9781250895660

Page Count: 336

Publisher: Feiwel & Friends

Review Posted Online: Aug. 3, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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