Beautiful, informative, and appropriate to the audience.
Robin’s-egg blue highlights this account of an American robin family’s year.
Cole uses thin black lines and crosshatching to limn the tree, the tree branch from which a male robin sings in early spring, the responding female, and the nest they build. The first pages are entirely black and white; the first hint of color appears as a blue-washed sky behind the tree as the birds begin their nest; two page turns reveal the familiarly colored egg, its bright color contrasting arrestingly with its black-and-white surroundings. Then there are two, three, four eggs and the mother robin’s patient incubation. After the nestlings hatch, a 12-panel spread shows the adult birds flying back and forth with insects and worms for the babies. First a storm and then a hungry snake provide suspense, but the parents shelter and defend their chicks successfully. Eventually the young robins fledge. “Soon they grow strong and can feed themselves. Their wings take them anywhere they want to go.” Cole varies the design from vignettes and panels to full- and double-page spreads. Sometimes viewers are close up; at other times they see the scenes from a distance. The relatively simple text, expressed in short sentences, is very accessible, and the natural history, ending with fall berries and the overwintering family, is accurate. Aimed at a younger audience than Eileen Christolow’s Robins (2017), this conveys essential information without the other title’s anthropomorphism.
Beautiful, informative, and appropriate to the audience. (author’s note) (Informational picture book. 3-7)Pub Date: March 3, 2020
ISBN: 978-0-06-288592-0
Page Count: 40
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Oct. 26, 2019
Kirkus Reviews Issue: Nov. 15, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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