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ONE MAN'S AMERICA

A JOURNALIST'S SEARCH FOR THE HEART OF HIS COUNTRY

An American success story, shot through with praise for—and some well-placed criticism of—the author's adoptive country. Grunwald was born into a middle-class Viennese Jewish family, most of whom left Austria at the rise of Nazism, first for Paris and then for New York. (On their arrival at Ellis Island, Grunwald writes, a friendly American gave him a Coca-Cola. He hated the beverage but remembered the gesture. ``And so,'' he writes of the moment, ``began my real American education.'') While his father, a composer of light operas, struggled to find work, writing wretched show tunes in an idiom he couldn't quite master, young Henry became a copy boy at the newly founded Time magazine. Years later, he was to be appointed its chief editor, as well as ambassador to Austria under the Reagan administration. About his political interlude we learn only a little, but Grunwald has as much to say about Time magazine as James Thurber did of the New Yorker, and his memoir will be of special interest to students of journalism. (Grunwald accords evident respect to founding editor Henry Luce, a man much maligned in other journalistic memoirs.) Well positioned as a correspondent and editor, Grunwald seems to have met nearly everyone of influence in our century, from James Burnham and Sidney Hook to Henry Kissinger and Jeanne Kirkpatrick, of whom he paints lively portraits. He also had many dealings with Whitaker Chambers, the Time editor who denounced State Department operative Alger Hiss as a Communist agent, and his long account of that involvement makes for fascinating reading. So, too, do his reflections on the life and career of Richard Nixon, who tried to cultivate Grunwald as an agent of his political rehabilitation late in life, even though Grunwald had commissioned more than 30 Time cover stories on Watergate-related issues. A vivid, excellently crafted journey through recent history, as well as through one man's life. (32 pages b&w photos, not seen) (Author tour)

Pub Date: Jan. 8, 1997

ISBN: 0-385-41408-0

Page Count: 672

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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