by Henry Grunwald ‧ RELEASE DATE: Jan. 8, 1997
An American success story, shot through with praise for—and some well-placed criticism of—the author's adoptive country. Grunwald was born into a middle-class Viennese Jewish family, most of whom left Austria at the rise of Nazism, first for Paris and then for New York. (On their arrival at Ellis Island, Grunwald writes, a friendly American gave him a Coca-Cola. He hated the beverage but remembered the gesture. ``And so,'' he writes of the moment, ``began my real American education.'') While his father, a composer of light operas, struggled to find work, writing wretched show tunes in an idiom he couldn't quite master, young Henry became a copy boy at the newly founded Time magazine. Years later, he was to be appointed its chief editor, as well as ambassador to Austria under the Reagan administration. About his political interlude we learn only a little, but Grunwald has as much to say about Time magazine as James Thurber did of the New Yorker, and his memoir will be of special interest to students of journalism. (Grunwald accords evident respect to founding editor Henry Luce, a man much maligned in other journalistic memoirs.) Well positioned as a correspondent and editor, Grunwald seems to have met nearly everyone of influence in our century, from James Burnham and Sidney Hook to Henry Kissinger and Jeanne Kirkpatrick, of whom he paints lively portraits. He also had many dealings with Whitaker Chambers, the Time editor who denounced State Department operative Alger Hiss as a Communist agent, and his long account of that involvement makes for fascinating reading. So, too, do his reflections on the life and career of Richard Nixon, who tried to cultivate Grunwald as an agent of his political rehabilitation late in life, even though Grunwald had commissioned more than 30 Time cover stories on Watergate-related issues. A vivid, excellently crafted journey through recent history, as well as through one man's life. (32 pages b&w photos, not seen) (Author tour)
Pub Date: Jan. 8, 1997
ISBN: 0-385-41408-0
Page Count: 672
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1996
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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