A superb collection of genre stories that prove just as rousing as their inspirations.
In this anthology, a bevy of authors deliver a collection of YA SF and fantasy tales, each inspired by a literary classic.
In Leah Cypess’ “The Scent of Cotton Candy,” Julia is worried about her teenage brother, who’s seemingly obsessed with tracking down their former nanny. Julia can’t help but wonder why this nanny, who’s capable of magic, is so invested in children. This story, like the others in the book, takes ideas from a “childhood classic” and spirals off into a markedly different direction. The new takes often go darker; for example, Seanan McGuire’s “Special” follows a narrator who believes “Bad People” don’t share—and their way of making others share leads to a spine-chilling turn (“we’re going to play the biggest game of Secret Laboratory there’s ever been”). In some cases, the inspiration (cited at the end of each tale) isn’t immediately clear. That’s certainly true for Stacia Deutsch’s “Other Earth,” in which people have evacuated Earth to survive inside the Bubble, an artificial atmosphere (not everyone agrees with the plan to expand the Bubble when it involves cutting down oxygen-providing trees). The stories are also linked by similar genres and themes: The SF/fantasy yarns smartly cover such topics as artificial intelligence, post-apocalyptic worlds, and alternate dimensions. It’s not all doom and gloom, however; the clever “My Science Project,” courtesy of editor Herz, zeroes in on high school science/SF nerd Wes. One day, he video chats with two cosplayers in top-notch froglike masks, only to discover that they may actually be the aliens they claim to be. This impressive gathering of authors includes Maggie Stiefvater, Jonathan Maberry, Kendare Blake, and Nancy Holder. The writing is pithy throughout, instantly dropping readers into narratives that thrive on engaging characters and unpredictable, diverting turns. Gustavson’s striking black-and-white artwork prefaces each tale and often hints at the source of inspiration, like a familiar hat for Stiefvater’s “State of Mind.”
A superb collection of genre stories that prove just as rousing as their inspirations.Pub Date: June 29, 2024
ISBN: N/A
Page Count: 232
Publisher: Brigids Gate Press
Review Posted Online: July 22, 2024
Kirkus Reviews Issue: Sept. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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