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PAPERBOY

A MEMOIR

The author concludes that “Being an engineer is in fact a lot like being a paperboy,” and by the end, we’re convinced as...

An engineer (Civil Engineering and History/Duke) who has written about pencils, bridges, and other useful things casts a fond—and analytical—look back at his own 1950s youth and once again discovers mystery and magnificence in the mundane.

Petroski (The Book on the Bookshelf, 1999, etc.) begins near his 12th birthday, when he received what he wanted most: a Schwinn. It arrived unassembled, and Petroski’s father (manually challenged) wisely permitted his more skillful son to put it together. The Schwinn would soon carry young Petroski around Queens on a paper route that he kept for the better part of two-and-a-half years—approximately the timeframe for this marvelous memoir. With his fascination for the pragmatic and historical, Petroski lets few things escape his analysis. He relates some of the history of Queens, the system of numbering houses there, the method for adjusting bicycle spokes, the rules of penny-pitching, the history of the Long Island Press (the paper he delivered), the economics of newspaper-delivery, the history of the bicycle, the differences between American Flyer and Lionel trains, the effects of consuming two aspirin with warm Pepsi, the Dodgers’ move from Brooklyn—and so much more. At one point he confesses, “The closer I looked at things, the more complicated they became.” Lucky for us. Petroski pauses to ponder complications and then explain them in a prose so transparent that at times we are barely aware we are reading. Among the treasures: a terrific description of how he folded a newspaper to keep it from flying apart as it soared from his hand to the subscriber’s porch; and a horrifying account of a brutal algebra teacher’s determination (and failure) to break Petroski’s spirit.

The author concludes that “Being an engineer is in fact a lot like being a paperboy,” and by the end, we’re convinced as well that no metaphor for life is more apt than a paper route. (30 b&w photos throughout)

Pub Date: April 2, 2002

ISBN: 0-375-41353-7

Page Count: 384

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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