A deft, claustrophobic tale that takes the shine off motherhood’s halo while sideswiping men, too.
Why has an adored child abandoned her parents’ home, lied about her whereabouts, and concealed her new family?
Israeli writer Blum’s brief, sometimes stiflingly close-focus new novel opens with Yoella Linden secretly watching her daughter Leah’s family from the outside, through a window. Leah walked out of her parents’ home in Israel at age 18 and pretended she was traveling the world; in fact, she had settled in Groningen, Holland, married, and become a mother herself, to two daughters. In a cool narrative voice, Yoella takes her time to unpack the mystery of Leah’s disappearance, interleaving memories of the girl’s childhood with glimpses of her own marriage, references to the mother-daughter fiction she has read, and episodes depicting her mental fragility. Yoella has been seeing a psychiatrist for 16 years to help her deal with intermittent depression that began at age 9. Leah’s childhood is conveyed in intimate domestic scenes, often filled with reciprocated feelings across the years. Despite occasional power struggles and discord, Leah was “one of those girls who was endlessly loved by their parents…the love of our lives.” But around the edges of this familial norm, we learn about more troubling aspects of Yoella’s marriage to Meir: his occasional affairs; his love for Leah but opposition to having further children, leading to abortions. And slowly another narrative takes center stage—Yoella’s response to a crisis of Leah’s making, leading to collusion and manipulation and a devastating outcome. Bit by bit Blum’s novel reveals itself to be a dissection of misapplied maternal love in one particular instance, in which emotions and impulses contradict themselves and turn inside out. Part detective story, part morality tale, this is a disturbing story of being damaged and damaging.
A deft, claustrophobic tale that takes the shine off motherhood’s halo while sideswiping men, too.Pub Date: July 25, 2023
ISBN: 9780593539644
Page Count: 272
Publisher: Riverhead
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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