Acclaimed British novelist Mantel (An Experiment in Love, 1996, etc.; see below) offers a provocative take on men and women of goodwill side-swiped by unsuspected evil and betrayal in places as far apart as Botswana and England. The story, moving between the past and recent present, is a cautionary, compassionate tale of a model family almost destroyed by its secrets. At the start, Ralph Eldred has just learned that sister Emma, a doctor, has had a longtime affair with the married and recently deceased Felix. Ralph, whose life has been spent helping ``sad cases and good souls,'' is shaken by this ``failure of self-knowledge.'' As a young man, his wealthy and devout father forced him to give up his plans to study geology and to work instead at the inner-city mission. When offered a posting to South Africa, Ralph accepted because it would take him far away from his father. He marries Anna, as principled as he, and they settle into mission life. It's now the early 1960s, apartheid's apogee, and the two routinely confront police brutality and corruption. They become activists, eventually find themselves imprisoned, and then, released from jail, accept a remote posting in Botswana, where Anna gives birth to the twins Kit and Matthew. Later, a malevolent servant stabs Ralph and abducts the twins. Only Kit is found. Back in England, Ralph and Anna have more children but never tell them about the lost baby. Kit, however, now a college graduate, is troubled by dreams of Africa; Anna, still heartsore and angry over losing her child, feels alienated from Ralph; son Julian is adrift, and Ralph himself finds his charity work meaningless. He himself now slips into an affair, discovery of which finally provides a necessary catharsis. Emotions are vented, secrets revealed, and the family's love and faith are found to be stronger than suspected. A subtle exploration in vividly detailed settings of the complex workings of the hearts of well-intentioned people. Intelligent and moving.
Pub Date: July 1, 1997
ISBN: 0-8050-5205-4
Page Count: 320
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1997
IN THE NEWS
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
