by Hiromi Kawakami ; translated by Asa Yoneda ‧ RELEASE DATE: Sept. 3, 2024
A wild take on humanity’s last stand and our flawed understanding of who we are.
Where does the human race go from here? This book is a radical answer to a dark question.
This speculative, artful, and deeply confusing novel sketches out the end of the world while simultaneously positing nearly unthinkable solutions and grappling with fundamental questions about identity, evolution, memory, and individualism. Over 14 tangentially connected, sometimes intertwined stories set across generations, Kawakami infuses her ethereal fiction about future civilization with both scientific inquiry and an acute sense of wonder about the human condition. The opener, “Keepsakes,” introduces the world on its way out, no longer sustainable by natural means. Humans are now cloned in factories and sourced from the DNA of animals as well as people. Designated caregivers called mothers raise children while watchers keep different communities isolated from one another. In “Narcissi” and “Green Garden,” we learn the extent of the cloning involved and begin to meet outliers who don’t fit in. While the science fiction concepts at play aren’t as onerous as the long-spanning timelines in Iain Banks’ The Culture or Liu Cixin’s Remembrance of Earth’s Past trilogy, there’s no easy narrative arc here, either. We get a little more explanation in “Echoes”: “As a result of multiple impacts and other catastrophic events, the human population was in free fall.” But Jakob O’Neal and his partner, Ian Chen, have a plan to divide up the remaining human population in order to force evolution to do its job. Ironically, not much of this speculative future has to do with technology at all—in some timelines, rudimentary technology still exists, while in others, people start to develop inherent changes, among them photosynthesis, clairvoyance, and other superhuman abilities. Yet despite all these fantastic elements, Kawakami is more interested in people and their makeup, introducing a prophet in “The Miracle Worker” and the pains of love in the bookended stories “Love” and “Changes.”
A wild take on humanity’s last stand and our flawed understanding of who we are.Pub Date: Sept. 3, 2024
ISBN: 9781593766115
Page Count: 288
Publisher: Soft Skull Press
Review Posted Online: June 7, 2024
Kirkus Reviews Issue: July 15, 2024
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by Hiromi Kawakami ; translated by Ted Goossen
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Agustina Bazterrica translated by Sarah Moses ‧ RELEASE DATE: Aug. 4, 2020
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.
A processing plant manager struggles with the grim realities of a society where cannibalism is the new normal.
Marcos Tejo is the boss’s son. Once, that meant taking over his father’s meat plant when the older man began to suffer from dementia and require nursing home care. But ever since the Transition, when animals became infected with a virus fatal to humans and had to be destroyed, society has been clamoring for a new source of meat, laboring under the belief, reinforced by media and government messaging, that plant proteins would result in malnutrition and ill effects. Now, as is true across the country, Marcos’ slaughterhouse deals in “special meat”—human beings. Though Marcos understands the moral horror of his job supervising the workers who stun, kill, flay, and butcher other humans, he doesn’t feel much since the crib death of his infant son. “One can get used to almost anything,” he muses, “except for the death of a child.” One day, the head of a breeding center sends Marcos a gift: an adult female FGP, a “First Generation Pure,” born and bred in captivity. As Marcos lives with his product, he gradually begins to awaken to the trauma of his past and the nightmare of his present. This is Bazterrica’s first novel to appear in America, though she is widely published in her native Argentina, and it could have been inelegant, using shock value to get across ideas about the inherent brutality of factory farming and the cruelty of governments and societies willing to sacrifice their citizenry for power and money. It is a testament to Bazterrica’s skill that such a bleak book can also be a page-turner.
An unrelentingly dark and disquieting look at the way societies conform to committing atrocities.Pub Date: Aug. 4, 2020
ISBN: 978-1-982150-92-1
Page Count: 224
Publisher: Scribner
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
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by Agustina Bazterrica ; translated by Sarah Moses
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