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BEBOP EXPRESS

What is it about jazz and children’s books? It’s a long way from Raffi to Dizzy, but there’ll always be another book seeking to bridge the gap. Unfortunately, most of them, by sticking with the tried-and-true idiom of picture-bookspeak, fall far short, and this is no exception. Here, a train travels from New York to New Orleans, picking up musicians—a sax player here, a drummer there—until one smokin’ combo rocks the tracks. Johnson and Fancher have done a splendid job, deviating from their customary muralistic style to create collage paintings that mimic hand-tinted black-and-white photographs. These paintings are cut and layered, the sudden sharp edges and abruptly varied perspectives evoking the syncopated urban rhythms of jazz. The text, however, mostly sticks to the omnipresent, distinctly un-jazzy rhyming couplet. Ho hum. Onomatopoetic jazz sounds (“blee blee, doot doot”) rendered in a multitude of typefaces attempt to relieve the monotony of the old standard, but in the end, the train comes off the track, the jazz beat overwhelmed by the lockstep verse scheme. Enjoy the art, but get out a copy of Mysterious Thelonious or Charlie Parker Played Bebop for the real deal. (Picture book. 3-8)

Pub Date: June 1, 2005

ISBN: 0-06-057190-X

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2005

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LITTLE RED SLEIGH

Sadly, the storytelling runs aground.

A little red sleigh has big Christmas dreams.

Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)

Sadly, the storytelling runs aground. (Picture book. 3-6)

Pub Date: Oct. 1, 2020

ISBN: 978-1-72822-355-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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