Readable and sweet but with a flawed premise.
Stuck in a time loop, two people must fall in love in order to break out.
When Gemma runs into Jack—literally—at a Los Angeles coffee shop, there's something strangely familiar about him. In fact, Gemma has been having moments of déjà vu all morning. Now, Jack tries to convince her that they’ve been stuck repeating the same day for almost five months. Having been aware of the “temporal anomaly” the whole time, Jack is already madly in love with Gemma and believes that if she can fall in love with him, too, they’ll be freed. Gemma is understandably skeptical, but with encouragement from Jack and her best friend, Lila, she tentatively indulges the theory. What follows is a daylong adventure, taking them from the radio station where Gemma works to the television set where Jack is a writer as well as Caltech, LAX, and the Hollywood Bowl. Along the way, they make major discoveries and positive changes to their lives that they wouldn’t have done without each other. But Gemma has been betrayed before, and when they hit an emotional stumbling block, she flees. Will they reunite before the day is over? Consent is tricky business in this novel; while the reader has evidence that Jack is telling the truth, Gemma has none besides an uncanny sense of familiarity. James does a laudable job emphasizing Jack’s desperation and adoration, the sparks that fly between him and Gemma, and the way they make each other’s lives better, but whether that justifies the power of experience he has over her or his ability to manipulate is debatable. Additionally, Lila, an influencer, posts a video of Gemma and Jack to her socials that becomes a viral sensation—all without asking. While this doesn’t pose a problem for the characters, it may for readers.
Readable and sweet but with a flawed premise.Pub Date: Aug. 1, 2023
ISBN: 9780593471586
Page Count: 336
Publisher: Dutton
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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