In lucid, unwavering prose, Jeffers traces a lineage of Black womanhood in the United States.
“We are not only a race, and not only a gender, but both.”
To call this book exclusively nonfiction is unnecessarily reductive—like Jeffers herself, it refuses to be categorized. Instead, it leaps deftly between memoir, history, academic writing, and poetry. Across all forms and ideas, it soars. “I am still alive, because my women ancestors taught me to improvise—to shapeshift,” she writes. In what she terms “Soul Sister Shapeshifter,” Jeffers charts the ways in which Black women are uniquely positioned at the crossroads of colonialism, slavery, patriarchy, and power. It’s a personal, political, and literary legacy that populates these pages. It swirls around the loss of her potent mother, a woman who traveled from her upbringing in a former slave shack to what she describes as the “Black bourgeoisie.” The journey includes a legacy of trauma, love, and intelligence, as her mother toggles the dual roles of “a strong Black woman” and a Black woman who is subservient to her husband. Jeffers is unflinching in her analysis, which is expansive enough to contain emotion and academic rigor in equal parts. “I found that it’s different when you read about the politics of respectability versus when you’ve lived that phenomenon up close,” she writes in one segment, noting elsewhere the exclusion of Black thought from Black experience in the historic record. With her “red dirt” matrilinear line in Georgia and literary foremothers like Alice Walker and Toni Morrison, Jeffers crafts not just a history of Black women in the United States but an essential way of looking at their inheritance—one that folds familiarity into proficiency. Generous, wise, and fearless, she travels through the wounds of past and present with remarkable grace and gripping narratives. “Here I am, unrespectable and unashamed, waving from truthful territory,” she tells readers. We would do well to meet her there.
In lucid, unwavering prose, Jeffers traces a lineage of Black womanhood in the United States.Pub Date: June 24, 2025
ISBN: 9780063246638
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: April 15, 2025
Kirkus Reviews Issue: May 15, 2025
BOOK REVIEW
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A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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BOOK REVIEW
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