A gentle story about connection that will connect with readers of all ages.
True understanding comes from a willingness to look deeper.
In an idyllic seaside community rendered in soft colored pencil and bright paint, a young child flies to school on the back of Daddy’s bike. Both present Asian. Arms stretched wide, the child expresses joy and exclaims, “I am a bird.” Singing an exuberant bird song—“CA-CAW! CA-CAW!”—the smiling and waving narrator spreads happiness along the way. Along their route, passersby smile and wave in return, and even the birds sing back. One day, the child spots an older, White woman in a blue coat and carrying a big bag; she is walking past a mural painted with toothy animals and does not wave and smile. The predatory animals depicted in the mural openly gape at the woman throughout the story, manifesting the child’s growing dislike as they see her again, day after day. Soon, the child’s bird song stops whenever the woman is spotted. One day they are running late, and the child does not see the woman until catching a glance of her in a park. She is surrounded by birds, whispering her own bird song, and the child has an epiphany. In the final double-page spread, the child and woman reflect each other with raised heads and closed eyes as they find they are the same: “We are birds.” The soft, textured illustrations expertly pair with the understated text and its beautifully simple, implicit message to look closer before jumping to conclusions. (This book was reviewed digitally with 9.1-by-19.6-inch double-page spreads viewed at 25.2% of actual size.)
A gentle story about connection that will connect with readers of all ages. (Picture book. 4-8)Pub Date: Feb. 2, 2021
ISBN: 978-1-5362-0891-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
A tale of mutual adoration that hits a sweet note.
Little Honey Bunny Funnybunny loves baseball almost as much as she loves her big brother P.J.—though it’s a close-run thing.
Readers familiar with the pranks P.J. plays on his younger sibling in older episodes of the series (most illustrated by Roger Bollen) will be amused—and perhaps a little confused—to see him in the role of perfect big brother after meeting his swaddled little sister for the first time in mama’s lap. But here, along with being a constant companion and “always happy to see her,” he cements his heroic status in her eyes by hitting a home run for his baseball team and then patiently teaching her how to play T-ball. After carefully coaching her and leading her through warm-up exercises, he even sits in the stands, loudly cheering her on as she scores the winning run in her own very first game. “‘You are the best brother a bunny could ever have!’” she burbles. This tale’s a tad blander compared with others centered on P.J. and his sister, but it’s undeniably cheery, with text well structured for burgeoning readers. The all-smiles animal cast in Bowers’ cartoon art features a large and diversely hued family of bunnies sporting immense floppy ears as well as a multispecies crowd of furry onlookers equally varied of color, with one spectator in a wheelchair.
A tale of mutual adoration that hits a sweet note. (Early reader. 6-8)Pub Date: Jan. 6, 2026
ISBN: 9798217032464
Page Count: 48
Publisher: Random House
Review Posted Online: March 17, 2026
Kirkus Reviews Issue: May 1, 2026
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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