by Howard Frederick Ibach ‧ RELEASE DATE: Nov. 27, 2023
An earnest and thoughtful adoption memoir.
Ibach questions how much his adoption shaped his inner life in this debut memoir.
On a November afternoon in 1955, a drunk truck driver killed a motorist in an accident on a rural road outside Nichols, South Carolina. The dead motorist’s wife found solace in the arms of another man, and when their child was born—a little over a year after the accident—he was given up for adoption. Raised by a physician father and a scientist mother in a suburb of Milwaukee, Ibach never felt particularly out of place in his adoptive family, which included a mix of adopted children and the biological children of his parents. “I never felt abandoned, I never felt rejected, I never felt that I had to prove my worthiness to be in and among the Ibach clan,” writes the author. “These emotions never surfaced, and I am content and secure enough to say I am also convinced these emotions are not percolating beneath the surface.” It was not until the author was 58 years old and having relationship trouble with a girlfriend that he first encountered, via couples therapy, the idea that his adoption might have left deep scars on his psyche. The suggestion led Ibach to look back on his childhood for evidence of emotional distress—the occasions when, as a kid, he’d acted out, refusing to eat his mother’s cooking or riding off on his bike to be alone. The relationship with his girlfriend ended, and the author was left questioning his sense of identity. Not long after this period of uncertainty began, the state of Wisconsin opened up its adoption records, allowing adopted children to track down their birth parents for the first time. Ibach soon learned his birth mother’s name, and that she had died many years before. More emotionally confused than ever, he dove into the search for whatever information he could find about his birth parents, revealing the dramatic backstory that he never knew he had. But would he come away from the process feeling any differently about the family who had raised him?
Ibach writes with candor and curiosity, making readers feel as though they’re witnessing the author’s self-exploration in real time. “What is the correct terminology?” he wonders. “Bloodline? Ancestry? Parentage? I’m not sure. My late dad Harold and my late mother Martha were my parents. They raised me. Mom died almost ten years before I submitted my application to Wisconsin for my adoption report…” The author is sure that he isn’t missing anything fundamental—phrases from adoption therapy culture like “Primal Wound” and “Ghost Kingdom” strike him as overly dramatic—and yet his search for answers proves that there’s something to be gained from seeking to understand one’s origins. Adopted readers who, like Ibach, don’t see themselves as victims and yet still carry a sense of uncertainty inside them will benefit from accompanying him on this journey, regardless of its revelations.
An earnest and thoughtful adoption memoir.Pub Date: Nov. 27, 2023
ISBN: 9798989292318
Page Count: 262
Publisher: JuJu Books LLC
Review Posted Online: Dec. 7, 2023
Review Program: Kirkus Indie
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by Kamala Harris ‧ RELEASE DATE: Sept. 23, 2025
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
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by Matthew McConaughey ‧ RELEASE DATE: Sept. 16, 2025
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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