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THE VIRTUAL COMMUNITY

HOMESTEADING ON THE ELECTRONIC FRONTIER

An enthusiastic tour of cyberspace by one of its pioneers. In Virtual Reality (1991), Rheingold explored one corner of the amazing new world created and accessed by computers; here, in an equally well-informed but even more messianic (and cautionary) survey, he reports on ``the Net,'' the ``loosely interconnected computer networks...that link people around the world into public discussions.'' Like a physical net, the Net contains myriad knots, or loci: Rheingold's home locus is the Well, a San Francisco-based network that he's been logging on to since 1985 for about 14 hours a week in order to ``talk,'' via modem, to hundreds of people in assorted ``conferences.'' To Rheingold, the Well is a paradigm of computer networking—decentralized, informal, eclectic, and self- governing, a ``virtual community'' in which people meet, collaborate, argue, even fall in love, but all without physical contact—and he devotes much space to its power and wonder (when one member of the Well's Parenting conference announced that his son had contracted leukemia, for instance, other members responded on-line with overwhelming emotional and informational support). Rheingold covers the haphazard history of the Net, not missing the irony of its roots in a Defense Department project (though here his discussion gets relatively technical and acronym-packed), and he examines how it operates overseas, particularly in Japan and France (where the government-sponsored network is dominated by sex ``chat''). Despite his conviction that the Net represents grass- roots ``groupmind'' in action, Rheingold recognizes its dark side- -most dramatically, in the popular ``Multi-User Dungeons'' in which networkers indulge in elaborate—and highly addictive—role-playing fantasies; and in the very real possibility that governments and megacorporations will eventually misuse the Net as a way to spy, or to download products, on a logged-on public. Rheingold's central point is that there's a revolution taking place on-line; with this thoughtful, supportive critique, he's continuing his fair bid to be its Tom Paine.

Pub Date: Nov. 1, 1993

ISBN: 0-201-60870-7

Page Count: 288

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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