For readers who need their endings safe.
The myth of the power of music and love is retold for middle-graders with nuanced beauty but marred by a happy epilogue.
The veteran storytellers who reworked this story have made a creditable and even beautiful version, using language that is clear and stately. Orpheus is a musician who can make even the trees dance. A bad omen at his wedding is fulfilled when, the next day, his bride, Eurydice, goes for a walk at dawn and is felled by a snake bite. Orpheus follows her down into the underworld, and his music so moves Persephone and her husband, Hades, that the god of the underworld allows Eurydice to return to life. Orpheus must not look back until they reach the world of the living. Alas, she trips, he turns to help her, and she is gone. Orpheus pours out his grief in music until the jealous god Dionysius inflames a group of women to hack Orpheus to pieces, although his head and his lyre continue to play and sing. In this version, Persephone restores memory to both Orpheus and Eurydice so they can spend the afterlife together—an interpolation that provides emotional relief but guts the story of its power. The rich, matte illustrations are done in a pleasing, patterned style that complements the vivid, never sensational telling.
For readers who need their endings safe. (pronunciation guide, bibliography, family tree of the Greek gods, Olympians) (Mythology. 8-12)Pub Date: May 1, 2013
ISBN: 978-1-84686-784-2
Page Count: 40
Publisher: Barefoot Books
Review Posted Online: March 12, 2013
Kirkus Reviews Issue: April 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Physically slender but long on mystical atmosphere, Albarn’s debut features a mix of feathery line portraits and translucent leaves of pale, reworked photos of butterfly-wing and other natural patterns. They illustrate a short, formally told tale of Faerie retribution and redemption. In the first part, a bored, malicious lad tries to set fire to a Druidic Oak near his parents’ cottage and is embedded within the wood by angry sprites. Years later, when the Faeries try to do the same to a young girl whose parents plan to cut the tree down, the boy saves her and is released for showing compassion. The elevated language is nowhere near as polished as the pictures: “The boy awoke with a thud to his heart”; “He twisted with anxiety, wretched with his own memories and shameful of his past.” The special paper adds a misty, magical air to the page turns, however, and the insectile, sharp-tempered Faeries inject a needed thread of animation. Will tempt fans of the Spiderwick series and all things Faerie. (Fantasy. 10-12)
Pub Date: Dec. 1, 2010
ISBN: 978-1-897476-52-9
Page Count: 40
Publisher: Simply Read
Review Posted Online: Oct. 11, 2010
Kirkus Reviews Issue: Nov. 1, 2010
The author of What a Truly Cool World (1999) twangs his silly bone again, producing six fables that are well south of serious, though carrying kernels of truth. Several are "lost and found" tales, as in "Ellen the Eagle Finds Her Place in the World," modeling for the government—because she's afraid of heights. There's Bernard the bee, who unexpectedly finds true love even though he's lost his buzz, and "Anna the Angry Ant," who finds herself with a permanent stomach ache after losing her temper and swallowing an anaconda. Chollat makes her US debut with a set of stylized, postmodern illustrations whose bright hues are picked up by colored words or lines in the facing text. Lester's distinctive way with words is fully in evidence here—“What would a bee be without a buzz? My goodness! A bee without a buzz would be a been. A bee without a buzz would be a used-to-be bee who was now a been. So Bernard buzzed his buzz a couple of times and was happy to see that his buzz was as buzzy as it always was"—and he closes each tale with a double moral: "1. You are what you think you are and not what others think you aren't. 2. When you're in Vermont, WATCH OUT FOR THE ALLIGATOR." There's a lot of text on these oversized pages, much of it asking for a sophisticated comprehension. So the format is deceptively young-looking and might throw off the child who could understand the jokes. Readers who find Aesop's fables stodgy and Jon Scieszka's incomprehensible might want to have a go at these. (Illustrated fiction. 9-11)
Pub Date: March 1, 2001
ISBN: 0-590-48913-5
Page Count: 48
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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