by Iain Gately ‧ RELEASE DATE: July 3, 2008
A heady cocktail.
The history of the Western world as seen through the prism of booze, glorious booze.
Gately (Tobacco: A Cultural History of How an Exotic Plant Seduced Civilization, 2002) serves up a lavish account, lengthy but never dull, of how human civilization has prized and demonized alcohol throughout history. It’s been mostly prized, he demonstrates, beginning with a discourse on how the epic poem Gilgamesh, possibly the first literary work in existence, shows intoxication and celebration as inextricably connected in Sumerian society circa 2000 BCE. Throughout ancient history, alcohol was considered a crucial component of the good life. Gately follows the role played in Greek culture by the wine-soaked deity Bacchus and the transmission of his cult to Rome. Comparatively abstemious in the republic’s early years, Romans in the heyday of the empire considered the Hebrews among their more civilized subjects because they cultivated wine. In 988 CE, Prince Vladimir of Kiev chose Christianity over Islam as the faith to unite his people, changing the future of European religion because he couldn’t abide the idea of not drinking. (Despite some token entries on Asia and the Middle East, this is a Western history.) Europe in the Dark Ages appears to have been utterly sozzled, with adults and children drinking ale for breakfast and throughout the day. It was only the introduction of tea and coffee in the 17th century that gave Europeans something better to drink than the admittedly foul water, though England's 18th-century gin craze still caused enough societal damage to bear resemblance to America's crack epidemic. Gately plays it straight throughout, with occasional witty asides such as the one on why absinthe never took off in London: “Why flirt with the occult when one already lived in Stygian gloom?” He considers modern temperance advocates, from Prohibitionists to today’s health zealots, as being not just wrong, but spoilsports. In this lively book, the latter is the more damning charge.
A heady cocktail.Pub Date: July 3, 2008
ISBN: 978-1-592-40303-5
Page Count: 560
Publisher: Gotham Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 15, 2008
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by Iain Gately
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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