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EMPTY VESSEL

THE STORY OF THE GLOBAL ECONOMY IN ONE BARGE

A stellar account of a complex offshore world, as seen through the tangled history of a humble barge.

The weight of the world, carried by one lowly barge.

“Anything becomes interesting if you look at it long enough.” Gustave Flaubert’s astute observation applies well to Kumekawa’s fascinating study of what might be perceived as a banal subject not worthy of our attention: a hulking barge. In 2020 the Harvard historian learned that “a simple ninety-four-meter-long flat-bottomed hull” had been moored on New York’s East River in the 1990s. Upon it sat five stories of modified shipping containers—it served as a floating jail. Curious to know more, Kumekawa found that the vessel had a complicated history that reflected, as he writes, “the abstract forces that have transformed our world over the past forty years.” It was built as the Balder Scapa in Sweden in 1979. Owned by a Norwegian tycoon, its first mission was as a transport barge, towed to Scotland with the “madcap idea” of dredging up steel from World War I warships that Germans sank rather than turn over to the British. That venture fizzled, and the barge was repurposed as a “floatel” to house North Sea offshore oil drillers. The Falklands War got in the way of that plan. In need of housing for troops in the South Atlantic, Margaret Thatcher’s government leased the barge in 1983. “Luxurious they were not,” one pilot said of the accommodations. The vessel’s next stop: Germany, for factory workers building the VW Beetle. And then it was off to New York as a jail, followed by time in England serving the same purpose. In 2010 it was towed to Nigeria for offshore oil workers. Throughout his epic telling, Kumekawa weaves in lucid and eye-opening explanations of the murky worlds of tax havens and loose regulations. The barge is at the heart of it all. The vessel has “no motor, no keel, no rudder,” he writes, but his book has undeniable drive.

A stellar account of a complex offshore world, as seen through the tangled history of a humble barge.

Pub Date: May 6, 2025

ISBN: 9780593801475

Page Count: 320

Publisher: Knopf

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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