Los Angeles of the 21st century is a land where death has been eradicated, thanks to nanotechnology, and so life is cheap. Every major city has a Necroville, where the first generation of the resurrected pay off the debts they incurred to be born again. McDonald (The Broken Land, 1992, etc.) juxtaposes the story of a group of young friends who gather annually in a celebratory night of the living dead against a literal clash of life and death as the army of the reborn wages war against their mortal enemies. But the real horror story here is about the living: Drug designer and playboy Santiago Columbar constantly seeks obliteration as an escape from life's ambiguities; yuppie cyberspace lawyer Yoyo Mok is so eager to soar up the virtual corporate ladder that she risks her friends' lives to solve the case of a resurrected rich client; and spoiled Toussaint, the son of Adam Tessler, who invented the resurrection process, betrays his father to a team of reborn terrorists. Each of these tales unfolds while battleships blast in high-orbit, corporate denizens maneuver in plush restaurants, and teens glide through all-night murder sprees. McDonald's lush prose paints a vivid and credible Armageddon. World-building SF that's punk, funky, and frightening: a fantastic acid trip to the end of the world.
Pub Date: Oct. 17, 1994
ISBN: 0-553-37416-8
Page Count: 288
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A new edition of the by now classic collection of affiliated stories which has already established its deserved longevity.
Pub Date: Aug. 16, 1963
ISBN: 055338256X
Page Count: -
Publisher: Doubleday
Review Posted Online: Sept. 13, 2011
Kirkus Reviews Issue: Aug. 1, 1963
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